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Saving on A&R · Thursday November 06, 2008 by Crosbie Fitch

Record labels are finding A&R so expensive these days that they are having to save money by asking the artists to come to them – and encouraging them to do so by portraying it as competition with a worthwhile prize.

An example of such a competition is Orange Unsigned Act.

What’s the prize for the best act?

3.6.3.The prize for the winning Artist shall be an artist recording agreement accompanied by a promotional campaign by Sony Ericsson / Orange.

Wow! Instead of any monetary award, the band gets the option to sign away their future output and artistic freedom to a record label, and that’s not all – if they sign, they get an advance (aka an interest free loan).

If the winning artist is inclined to go for what appears to be a big money prize, they should be aware that if they don’t sustain the popular appeal (who needs talent?) they appeared to have and fail to encourage enough of their fans to buy copies of their works retailed by the label (instead of downloading them from file-sharing sites), they’ll end up having to repay all of that advance and more back to the label.

Meanwhile all those ‘runner up’ unsigned acts, still record label virgins (having obtained all their knowledge of the recording industry from books about how it worked so well for great bands of the sixties and seventies), will try harder next year (apart from those invited to sign anyway – a day after the competition closes).

Things have changed.

Recommended reading list for unsigned acts:

It may be fine to win the prize for the best unsigned act for its promotional benefit, but whatever you do DON’T SIGN! Remain unsigned and sell your music directly to your audience. Ask yourself why you need a very expensive label to pay radio stations to play your music and to produce millions of CDs for sale in shops. Leave promotion and distribution to your audience – even the labels recognise that a musician’s audience is their biggest competitor – that’s why they keep on prosecuting it for infringing upon their monopoly.

Throwing the Book Against Intellectual Monopoly · Monday July 14, 2008 by Crosbie Fitch

Michele Boldrin and David K. Levine have now engaged Cambridge University Press to publish their book Against Intellectual Monopoly, which is, hypocritically, subject to the artificial reproduction monopoly of copyright. I’ll leave it to you to decide whether this indicts the authors for their selection of publisher, or the reputedly academic publisher for failing to educate themselves with the words they lay claim to and neutralise their monopoly – or both.

Check out what Casey Bowman has to say apropos the publication of this book:
freepirate.blogspot.com/boldrin-and-levine-have-published-book.

It’s very disappointing, but not too surprising to the cynics among us, to deduce that even the ‘Pirate party’ is being infested by hand wringing moderates/reformists, so in fear of being identified as a den of IP thieves that they are antipathetic toward abolition or those who propose it.

Contrast this with Bill Stepp’s comparison of those privileged by copyright to suspend the public’s liberty, with those once privileged to own slaves:

Any book published in the United States is automatically copyrighted under the copyright law. Copyright is a form of slavery, under which certain actions of non-copyright holders are proscribed (e.g. making copies of books).

Just as under chattel slavery, a baby born of a slave was automatically a slave under the law of slavery, so too a non-copyright holder is a slave to an author and copyright holder who begats a book, under the law of copyright, to the extent he can’t perform certain actions with his own property.

Anyone opposed to slavery should be against copyright. He who says copyright also says slavery in the same breath.

In accord with Bill, those who advocate appeasement and so dare nothing more radical than the aspiration of a kinder copyright and a less frivolous patent system, may be compared to those who’d bless the god given right for men to keep slaves, but who’d compassionately call for some regulation of working and living conditions. See A Balanced Approach to Copyright?

I was amused only recently to discover that abolishcopyright.com not only admits defeat in its first post (that abolition is impossible), but then compounds this surrender with a Stockholm syndrome endorsement of copyright albeit with a shorter term.

That a world without the privilege of copyright/patent is so difficult to countenance, let alone grok, has led me on past occasions to conclude that the only way of achieving its abolition is to portray this as reform, as a set of apparently more constraining intellectual property rights – possibly having to retain the misnomer of ‘copyright’ to name it (when the term will at least then truly represent a restoration of the ‘right to copy’ and cease being a misnomer).

Nevertheless, latter day pirates do need to be identified correctly, the good from the bad. The good pirates should be recognised as those in pursuit of natural rights, necessarily including liberty unconstrained by mercantile privilege, not as apologetic reformists who simply desire greater kindness from their privileged masters. The bad pirates, at the other extreme, are those nihilistic libertines who would privilege themselves above all others. See The Freedom of Pirates or the Liberty of Civilised Men.

Anyway, do give the book a read.

Stephan Kinsella said 6000 days ago :

But their book is free online; as is my own just-published book, “Against Intellectual Property” (Amazon link).

Policing Intellectual Property · Wednesday July 09, 2008 by Crosbie Fitch

Good to see our high street merchants are keeping up with the times and working hard to protect their customers’ inclination to shop and their intellectual property against theft – especially the published and publicly accessible IP – clearly that most at risk.

We can’t have digital pirates wandering around town centres such as Worthing with their digital cameras just so they can capture and upload what are inevitably copyrighted works on flickr and other notorious file sharing sites.

Hat tip to Ian Betteridge.

If the government won’t protect the mercantile privileges and reproduction monopolies they’ve granted, well, the merchants will have to damn well protect them themselves until the state sees sense and provides the necessary police force.

It's Cool to be a Copyright Abolitionist · Wednesday June 11, 2008 by Crosbie Fitch

A new website AbolishCopyright.com gives another sign that this imperative is beginning to have popular appeal.

Though it is amusing for the site’s proponent to then reveal that he doesn’t mean ‘abolish copyright’ literally:

“It is not practical to abolish copyright altogether in the U.S. since doing so would require a constitutional amendment. It is our intended purpose here to counter these foes of progress by refining the term “limited times” to a more reasonable value, for example 30 days.”

How in its first article can a site called ‘Abolish Copyright’ both give up hope of achieving its raison d’être and state that a 30 day copyright term is reasonable?

Either you’re a reformist or you’re an abolitionist.

Don’t wear the wrong mantle, even if it looks like it might get you more chicks. If you find it uncomfortable, it’s a clue that it doesn’t fit.

I would have posted a comment to the effect that no constitutional amendment is required (see Constitutional Sanction), but the site has informed me I’m not even authorised to view comments – let alone post them. Site configuration issues I guess.

Let’s see how it goes…

Chris Ovenden said 6070 days ago :

Hi Crosbie! I agree with you on this; half-hearted measures just aren’t going to cut it. Try logging into their site again; it worked for me. We abolitionists have to stick together :-)

Crosbie Fitch said 6070 days ago :

Glad to have you on board Chris, but I reckon we should spread out. ;-)

I fancy the ‘Restoration of Intellectual Property Rights’ angle myself.

Anyway, there’s nothing so persuasive as money to convince people they don’t need copyright.

Argument for its abolition is a way of helping people understand that copyright is an unethical, unnatural anachronism, and why, when confronted by the nature of information, it is now so clearly ineffective, even with misanthropically punitive enforcement measures.

Let’s try and put it a little more simply:

Copyright is dead.

Petitioning for its abolition is simply a plea that file-sharing families can sleep soundly without being terrorised by IP stormtroopers before sunrise.

Which reminds me, another word for copy is ‘parrot’.

Legislation Vendor:

No no! Copyright's fine!
It just needs more 'education'.

Media Lobbyist:

Copyright's not fine! Copyright's passed on!
This privilege is no more! It has ceased to be!
Copyright's expired and gone to meet Queen Anne!
Copyright's a stiff! Bereft of life, Copyright rests in peace!
If you hadn't enacted the EUCD and put violators to 
the birch Copyright'd be pushing up the daisies!
Its monopolistic processes are now 'istory!
Copyright's off the twig!
Copyright's kicked the bucket,
It's shuffled off its mortal coil, run down the
curtain and joined the bleedin' choir invisible!!
THIS IS AN EX-PRIVILEGE!!

(pause)

Legislation Vendor:

Well, I'd better replace it, them.

(he takes a quick peek in a dusty book)

Sorry squire, I've had a look 'round the back
of the legislature, and uh, we're right out of privileges.

Media Lobbyist:

I see. I see, I get the picture.

Legislation Vendor:

I got a tax.

(pause)

Media Lobbyist: (sweet as sugar)

Pray, does it control IP?

Legislation Vendor:

Nnnnot really.

Media Lobbyist:

WELL IT'S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!??

The Copyright Abolition Movement · Monday May 19, 2008 by Crosbie Fitch

Apparently the Northern California chapter of the US Copyright Society is advertising in its spring newsletter an event on June 26th by Professor Lawrence Lessig entitled “The Growing Copyright Abolitionist Movement, and How You Can Help Stop It”.

As I’ve said before, no-one will have done more to postpone the inevitable abolition of copyright than Professor Lawrence Lessig – despite the claims of his maximalist detractors1 who believe Creative Commons threatens copyright, when quite to the contrary its mission is actually to recast and reinforce copyright as an authorial privilege (naturally, just as unethical as when wielded by publishers).

So, if you understand that all mercantile privilege is unethical, even if restricted to self-publishing authors, then perhaps you might turn up and put the case for copyright’s abolition and the movement of those in support – who hold that no citizen should be threatened with 5 year jail sentences and million dollar fines for enjoying their cultural freedom, just so that an author benefits from a commercial monopoly over reproduction, performance, and other use of their published works.

If you need to counter claims that the US constitution sanctions copyright, you can point to my recent post here, where I show how the state can secure authors’ natural, exclusive rights to their writings without granting them unethical privileges such as copyright over their fellow men.

_________

1 PFF’s recent diatribe against Lessig: Tragedy and Farce: An Analysis of the Book FREE CULTURE by Thomas D. Sydnor II

Anthony Schueller said 4537 days ago :

I agree, we need to get rid of this Cultural Lockdown, I just came across two movies on youtube that were removed because of this, I don’t see why I should not be allowed to watch movies just because I can’t find a job (Because there are almost none left), and have no money.

Infringing Promotion · Wednesday May 23, 2007 by Crosbie Fitch

Jacob Tummon has written a very good paper arguing the case for the elimination of copyright (HT Karl Fogel via QuestionCopyright).

Without any authorisation or permission, I have copied his paper verbatim (from LegalTree) and it appears below.

In promoting Jacob and his excellent arguments by copying his published treatise should I be prosecuted for copyright infringement?

STOP PRESS

Jacob has asked me to remove his paper (that appeared here 23/5/07-17/10/07) in order that he can attempt to meet the criteria for it to be re-published in a conventional journal, i.e. that it not be published in any form elsewhere.

This seems a rather outdated and retrograde policy for the journal to persist in maintaining, but if one must jump through old fangled hoops to reach an old fangled audience in order to demonstrate the hoops are an anachronistic folly, well, so be it.

I’m doubtful that this removal can constitute ‘not published elsewhere’ given that publication is an irreversible event. Notwithstanding that, there are situations in which there is a right to withdrawal of published works from distribution in the case of violation of privacy or jeopardy to life, but this doesn’t actually undo the historical event of publication.

For those who’d like to know what originally appeared on this page I recommend the Wayback Machine. Entering the URL of this page gives this page as at 22/07/07.

Crosbie Fitch said 6226 days ago :

It seems the archived version of this page has now been removed from the Wayback Machine.

IP is Indeed Property · Thursday August 10, 2006 by Crosbie Fitch

Property is that which you physically and exclusively control, and have created or otherwise have a natural right to. It is something that you can exchange or can give to another. Try not to focus beyond that.

To make it easier to explain, an example of such property is a secret formula you write in a diary.

You could sell this formula to someone if they were convinced only you had it and it was valuable. Once you’ve sold it, it is no longer your secret.

It doesn’t matter that you haven’t destroyed your diary. The property was the secret, and you no longer have that secret.

It doesn’t matter that what you sold was transformed in the process of exchange (from a secret to a ‘restricted knowledge distribution’), you and the purchaser considered the exchange equitable. You now have more money instead of a secret. They have a formula which they didn’t have before, and less money.

This buyer, could instead have burgled your house, taken a photo of your diary, and thereby STOLEN your secret.
It doesn’t matter whether you knew about this or not, the fact remains that the burglar had to breach your privacy and property in order to remove something of value from you. You lost the secret.

Naturally, owners of secrets are conscious that they may be stolen without their knowledge and are sensitive to clues that theft may have occurred, e.g. previously keen purchasers suddenly claiming they’ve found someone else who also has a good formula.

Unfortunately, copyright makes people think that all intellectual property is a pretence, even private intellectual property. This is because copyright is about pretending that public intellectual property is still privately owned when it plainly isn’t. So, don’t throw the baby out with the bathwater when you ignore copyright. You’re reclaiming the public’s rightful ownership of published intellectual property, you are not also claiming ownership of people’s private intellectual property – that’s still theirs to keep or sell.

drew Roberts said 6584 days ago :

“Property is that which you physically and exclusively control, and have created or otherwise have a natural right to. It is something that you can exchange or can give to another. Try not to focus beyond that.”

Sorry, I want to focus beyond that.

The problem I have is that what you are calling property here cannot be stolen from you.

Unless, perhaps, you are willing to stipulate that is is the secretness itself and not the subject matter of the secret which is your property?

Or unless perhaps I steal the diary with the secret formula and you have actually forgotten it?

Otherwise, I can wrongly convert your secret knowledge to public knowledge, but I cannot take the knowledge itself from you.

What other property behaves in this fashion?

all the best,

drew

 

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