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Drafting Definitions for Cultural Liberty · Tuesday June 22, 2010 by Crosbie Fitch

Although I’m still focussed on 1p2U.com, some time later this year I hope to set up the website culturalliberty.org – a site dedicated to the restoration of everyone’s cultural liberty, especially from its constraint by anachronistic privileges such as copyright and patent (which should have been abolished along with slavery).

There’ll be a wiki upon which I hope ethical law can be developed (for legislative protection of all individuals’ natural rights concerning the possession, production and communication of information and intellectual works).

So, in getting started, I thought I’d sketch out some definitions, i.e. without explanations or examples (which can come later). Suffice it to say, these definitions will be tweaked.

Definitions

  1. Individuals are human beings, a priori equal.
  2. Human Rights, the rights of all individuals, are naturally: life, privacy, truth, liberty.
  3. Right always and exclusively refers to right in the natural sense, implicitly qualified as natural right.
  4. Life is the naturally optimal functioning of an individual human being, the preservation of its health and integrity, the necessary maintenance and protection of its body’s boundaries, sustenance and environment, and the perpetuation of its operating period.
  5. Privacy describes the individual’s natural ability to exclude others from particular objects, information, and spaces that they possess, occupy, or are otherwise able to physically defend or secure. Privacy may be enjoyed jointly as well as singly.
  6. The right to Truth is against interference with, or impairment of, anyone’s natural ability to perceive, pursue or apprehend it, e.g. against fraud or misrepresentation.
  7. Liberty includes an individual’s freedom of movement, speech, or senses, in their natural habitat among their fellows, and entails that these freedoms remain without physical constraint – until the individual has been found in violation of anyone’s rights, and only then to the least extent possible and necessary for their rehabilitation and the protection of others’ rights.
  8. Freedom is the natural, unconstrained condition of the individual, i.e. one not subject to government. It is delimited by all individuals’ natural power and interest to protect their natural rights – who may collectively empower a government.
  9. Rights are inalienable. That means the individual cannot be parted from them, neither by themselves nor by their government.
  10. Rights take precedence: Privacy must cede to Life (invasion may be warranted in the protection of life). Truth must cede to Privacy (the public’s interest does not outweigh the individual’s interest in excluding it). Liberty must cede to Truth (where its impairment through deceit or fraud risks harm or social disharmony). In this way each right delimits the next, and all rights delimit freedom.
  11. Rights are imbued by nature in all individuals equally. They are not conditional, e.g. on gender, skin colour, religion, payment of taxes, nor good behaviour. If rights are not protected for the pariahs of society they are not protected for the paragons. If a government exempts terrorists from its protection it terrorises its own citizens as a consequence.
  12. A harmonious society is epiphenomenal. It is that which results when a government carefully protects the rights of the citizens that empower it. Their protection is primary – not secondary to protection of society nor to the existence of the government they create, and thus rights should not be derogated in pursuit of social harmony, benefit to society, ‘the encouragement of learning’, ‘progress’, ‘the common good’, nor upon a wish by the people to engage in a ‘social contract’ to surrender, waive or relax their rights to that end, whether in whole or part.
  13. Privileges (legislatively enacted analogues of rights) are always referred to as ‘privileges’, not as some call them: ‘legally granted rights’, ‘legal rights’ or simply ‘rights’. Privileges are instruments of injustice and not to be found in an egalitarian society nor any legislature primarily concerned with the protection of individuals’ natural rights.
  14. A Contract is an equitable agreement (voluntary) between two individuals concerning the conditioned exchange of their property, whether material or intellectual. A contract cannot surrender, abrogate, nor derogate from any individual’s rights – it is not a promise (as would alienate liberty). A government has no power to enforce completion nor penalise incompletion, only to arbitrate in any dispute as to equity or agreeability, and to mandate a remedy to that end as far as is practicable.
  15. A government is created and continuously empowered by its individual citizens, and those individuals are the only source of its power, which may be removed or redirected by them.
  16. A government may be empowered to collect taxes to provide and care for its citizens’ common interest: the protection of their rights, their safety, health, and social well being, e.g. policing, defence, energy, utilities, transport, and communications infrastructure, healthcare, education, environment, etc.
  17. Corporations or any other legally created entity are not individuals nor even comparable let alone equivalent, and being unnatural are not imbued with rights. All such entities should be regulated to ensure their activities and motives are aligned with the common good, i.e. not simply maximisation of share value.

The Advertiser's Doom · Wednesday June 16, 2010 by Crosbie Fitch

In Ad Blocking is Here to Stay Michael Castello notices another business model that is declining in viability and observes the complaints of those who would see it preserved at all costs.

Lazaris basically subscribes to the idea that because advertising has been a primary source of income for many websites, it should stay that way. This completely ignores the fact that the world changes, and things that were once highly profitable may lose relevance. It’s like farriers complaining about automobiles or whalers complaining about electricity – you can bemoan the changes all you want but the business choice is straightforward: adapt or be left behind.

Advertising (as is traditionally recognised) is inevitably in decline. This is because it resulted from an extreme asymmetry that developed between vendors and customers when vendors became mass producers, and could no longer meet their customers on a one-to-one basis. It was further exacerbated when vendors took advantage of mass communications technology (printing, broadcasting) to communicate UNIDIRECTIONALLY to their customers (current and potential). Very little communication has been possible in the other direction for decades if not a century or more, i.e. customers needing to communicate their wants and prices to potential vendors, especially mass producers.

With the advent of the Internet this communications imbalance is set to become balanced, i.e. vendor product advertising/customer discovery severely declining in proportion to the increase in customer need advertising/vendor discovery that is slowly rising to meet it.

When communication is unidirectional it is economic to pay others to compromise their own communications (parasitism) in order to reach potential customers that are otherwise effectively blind, deaf, invisible and dumb (they can’t get closer to the vendor to see or hear them, nor be seen by them, nor speak loudly enough to be heard).

When communication is bidirectional the value of inserting one’s message in another’s communication is liable to become much less than the loss of value it causes. Thus such traditional, parasitic advertising is likely to cease entirely.

Selling audience eyeballs is doomed as a business model.

Instead we will see both vendors and customers making their communications publicly available with a view to potential relationships/exchanges, and both looking to discover and be discovered by each other. Communication then occurs directly according to the relationships that are made.

See Doc Searls’ ProjectVRM for further details of this tectonic rebalancing of marketplace communications and relationships.

Steve R. said 5330 days ago :

The unidirectional nature of advertising (including telemarketing/junk mail) has been a major irritant. Basically, in looking at this issue, we have been overlooking the rights of the recipient of the advertising message. Fundamentally, what “right” gives an advertiser the ability to “trespass” on the consumer? I posted on this topic here: srynas.blogspot.com/…

An indirect adverse effect of the unidirectional nature of advertising, has been the use of lawsuits as an attempt to silence critics.

Essentially, advertisers seem to believe that they have an entitlement to “accost” the consumer and if the consumer reacts by complaining to silence the consumer.

PS: There have been customer satisfaction surveys that I participated in. I hope that these surveys were valid attempts at facilitating two-way communication.

“Rosebud...” says News International · Tuesday May 25, 2010 by Crosbie Fitch

News International retreats from the public, disagreeing with the idea that mere readers should be allowed, let alone encouraged to freely read and quote from newspapers, e.g. as I do now from “The Times paywall: An end to sharing” by Rory Cellan-Jones.

A great experiment is about to get under way, and it will tell us much about the future of journalism and the willingness of readers to pay for it. In Wapping last night, News International showed off the new websites for The Times and Sunday Times which have opened to the public this morning. Four weeks from now, a paywall will go up in front of the sites and, by News international’s own calculation, more than 90% of their audience will melt away.

This is of course nothing to do with readers’ willingness to pay journalists for their journalism, but the ability for newspapers to charge each reader for reading it, and prevent anyone who hasn’t paid from doing so. When you can’t sell copies, then selling access seems very similar – if you think like a newspaper, that is.

Rory later reveals:

I asked Danny Finkelstein whether it bothered him that from now on none of his journalism would “go viral”, with the risk that he’d be left invisible on the sidelines as the online debate raged through news sites without paywalls. “No,” he insisted,“I want my employer to be paid for my intellectual property.”

That is Stockholm Syndrome. I would think most journalists care more about being paid for their intellectual work than enabling their employers to charge readers for copies of it at monopoly protected prices – and failing that, to charge readers for access.

If news can be freely distributed to the public, the only thing left to pay for is the journalism – and the readers who want more can pay the journalists directly – to write.

See earlier conversations, with:

Tipping Diaspora · Thursday May 20, 2010 by Crosbie Fitch

Diaspora is another snowflake in hell.

It won’t be long before it’s snowing.

Thousands of true fans want the pop group that is the fab four comprising the Diaspora project team to buckle down and do some intellectual work this summer. In exchange for close to $200,000, they expect the copyleft publication of that intellectual work (copyright neutralised).

More facilities like Kickstarter will arise to make such exchanges ever more easier, and to refine the details of those exchanges.

So, who needs copyright? Who needs a monopoly on the sale of copies when you can sell your intellectual work directly to your customers? Answer: Only the traditional publishers utilising anything from Caxton’s press to modern CD and DVD duplication plants. Not intellectual workers.

The intellectual worker does not need a monopoly. Moreover, that’s the last thing they need if they wish their audience and commissioning fanbase to grow in size (and revenue). They must remove the © prohibition against making copies of their work. They also need their work to be exempt from the collection society thugs threatening people for performing their work in public (qv PRS). The modern intellectual worker must restore the public’s liberty to their work, enabling their free promotion, so that many among their audience might just be inclined to commission them to produce more good work.

Anyway, back off the hobby horse and down to Earth.

The first problem the Diaspora team needs to solve in developing a distributed system is the identity/reputation of the participating computers.

Freenet may have some pointers. I’ve also written an introductory article: Ideating Identity.

With that not insubstantial problem cracked they can build from there, optimising the distribution and replication of information according to interest.

On top of that you then have the users’ identity/reputation issues.

And then the icing on the cake (that must come last) are the matters of privacy, secrecy, confidentiality, and discretion.

Privacy is physical and a misnomer in the context of distributed systems – it’s best not to use the term at all (to avoid confusing people).

Secrecy can be contrived to a limited extent via cryptography.

Confidentiality and discretion are inclinations of people, matters of honour/reputation and cannot be enforced through technology (or law). However, they can still be informally measured and incorporated as part of a social reputation metric.

So really, what one ends up with is simply a means of assuring high availability of all the information that anyone is still interested in. Moreover, guarantees will still be expensive. People will have to pay for guarantees of persistence and prevalence – if you don’t pay, and your information is uninteresting, it may degrade to offline storage, ultimately to evaporate.

Amy Lewis said 5362 days ago :

Well, time for me to DELETE my account thee… not ‘deactivate’. I’ve changed over to folkdirect.com which so far is going well and lots more open privacy controls there. As word spreads the community will get bigger and bigger. All good. Worth a try.

Crosbie Fitch said 5362 days ago :

Yes Amy, there are many flowers blooming. Diaspora is by no means the only one, and it’s certainly not the first to aim for a decentralised implementation.

I am amused at the oxymoron of ‘open privacy’. Either you disclose something or you do not. There is no such thing as a ‘circulation control’ that can be applied to human beings, especially when they are in possession of an instantaneous diffusion device. You can ask your ‘friends’ to be discrete, circumspect, prudent, even to respect your confidences and guard any secrets, but you cannot gag them.

Anyway, one day people will recognise that one can prevent indiscretion as easily as copyright infringement, which is to say not at all. The aspiration and attempt is foolish at best and antisocial at worst. There is no privacy or dissemination control in a system designed to efficiently distribute information to and among the public.

Concluding Copyright is Essential · Monday May 17, 2010 by Crosbie Fitch

Unlike many, Bill Rosenblatt has graciously tolerated my engagement with him in a conversation concerning copyright. At the time of writing, his and my comments still appear beneath his Copyright and Technology blog article entitled “William Patry’s War on Copyright”.

Publishers were expert at selling copies - not intellectual work · Saturday May 08, 2010 by Crosbie Fitch

Jason K to Dennis on Michael Geist’s Blog

“The people representing industry who want to stomp out P2P file sharing and to whom creators are listening to in reality have gotten several opportunities around the globe to do so, and it hasn’t extracted any value for content owners, nor deterred the use of these programs.

Creators like yourself are so naive to believe that law will solve your problems, when the past 10 years you guys are still eating Kraft Dinner, because the multi-nationals are not interested in seeking a pay raise for content creators, they have a fetish right now to control the uncontrollable. It has NOTHING to do with compensating creators, nothing to do with right or wrong.

There have been several positions open up on the table to help extract IP value from the digital marketplace in the form of monetization, but that has been flatly rejected by the multi-nationals, which means money for creators in the current system is being TURNED DOWN by these groups because of their fetish for control.”

NB I made a copy of Jason’s good work, but I didn’t steal it.

Publishers aren’t interested in developing business models that pay intellectual workers for their intellectual work, because they’ve never been interested in paying intellectual workers anything except as little as possible. Moreover, they know exactly how to pay intellectual workers. They’ve been doing it for centuries.

What they aren’t in the business of is selling intellectual work. No, they’re 100% focussed on selling copies and controlling the distribution channels by which intellectual work is received by those who want to receive it.

The problem is, for them, that market is over. One can no longer sell copies or control distribution channels – though they’re still trying (making the laws ever more draconian, qv ACTA).

The publishers don’t give a damn about helping the intellectual worker sell their work because they’re not in that business. They’re certainly not interested in figuring out how to help the intellectual worker sell their work direct to those who want to receive it as that removes the publisher out of the value chain (along with their 99% cut), which would be madness.

So, the intellectual worker of today has to leave the publisher to pursue their folly of trying to sell copies to people who can make their own copies for nothing (selling snow to Sámi).

The intellectual worker now has the problem of how to sell their intellectual work to those who want to receive it. And those who want to receive it have the problem of how to commission their favourite intellectual workers to produce it.

I’m labouring the distinction between intellectual work and copies because too many people still think they’re one and the same (indeed, are hypnotised to believe that). The market for copies has ended (as the more astute publishers might one day realise). However, that doesn’t mean the market for intellectual work has ended. People still want novels and movies produced even if PDF and MPEG copies of them cost nothing to make. It is thus the intellectual work that is valuable – not the copy, and persisting in this popular petulance that the law must make it otherwise is unbecoming of any intellectual worker worthy of the term.

So, publishers, gone! Defunct. Dead as dinosaurs. Let’s hear nothing more about them. They are irrelevant to the imperative we face.

And that mission, for those willing to move beyond complaint to developing a solution, is to explore how intellectual workers and those who want to receive their work, can exchange that work for money. After all, this is the foundation of all commerce. It’s all about voluntary and equitable exchange.

Unfortunately, whilst I could tell you the solution now, there is a perverse, inverse relationship between the severity of a problem and the likelihood that whoever professes to have a solution will be found credible instead of being considered a charlatan. But I’ll give a URL anyway: contingencymarket.com (and again, perversely, there is pressure against making this a hyperlink).

Suffice it to say, the answer is in the question. If the question is “How does an intellectual worker exchange their intellectual work for the money of those who want to receive it, at a price both agree on, and without threat or coercion?” then the answer is “Via an exchange – via a mechanism that facilitates the exchange of intellectual work for money between a producer and many customers”.

The sale of copies is irrelevant. The very idea of selling copies is an 18th century anachronism (along with the 18th century privilege of a reproduction monopoly we call copyright).

The market for copies has ended. The market for intellectual work continues unabated.

Constructively Criticising Copyright · Tuesday April 20, 2010 by Crosbie Fitch

I post this here, because ORG’s Jim Killock finds my comment below too offensive to permit to appear beneath his recent blog item entitled When Copyright Goes Bad

Copyright isn’t going bad – it’s always been bad, ever since the privilege was granted to the Stationers’ Guild by Queen Anne in 1710.

What’s going on is that more and more people are discovering that their natural liberty to share and build upon their own culture has been suspended by an iniquitous 18th century anachronism.

It seems ORG doesn’t mind comment as long as it’s ‘on message’, i.e. remains in accord with ORG’s support for copyright. A rather peculiar policy…

Update 22 Apr 2010 · 1:53pm

As Ibutton77 kindly brings to my attention, ORG has now relented and permitted my comment to appear. Whether their embargo of my comment would ever have been lifted had I not blogged my comment here is open to conjecture, but a discriminatory embargo isn’t much better than discriminatory ‘moderation’.

SteelWolf said 5392 days ago :

It’s unfortunate that organizations like this are so enamored by the institution that perpetrates the very grievances they fight against.

The idea that “IP” is inherently a good thing is never questioned, despite the horrendous mess it has become. Rather than fixing the real problem, they want to minimize the symptoms through reform or limitation. I think such a strategy has even less of a chance of working in the long run than outright elimination.

Crosbie Fitch said 5392 days ago :

The Pirate Party suffers from it too. It’s a sacrifice of principle in pursuit of membership. If such organisations perceive popular support for copyright simultaneously with popular outcry against its enforcement, then they believe they too must engage in such doublethink. They must shun the ‘extremists’ in order to focus discussion on reaching a prophesized balance between the interests of publishing corporations in enforcement and the interests of individual copyright aspirants in one day enjoying their privilege (as all hope for stardom).

The Pirate Party UK has now excluded me from access to my discussions critical of copyright on their forums (unless I pay to become a member of a party whose support for copyright I object to). ORG has ejected me from their discussion list, censured me on their web based forums, and informs me my comments are not welcome on their blog articles.

It’s not very inspiring is it?

Even Nina Paley notices the stigma against copyright abolitionism:

“I’m now artist-in-residence at QuestionCopyright.org, and do what I can to promote alternatives to copyright. (Actually I’m a copyright abolitionist, but many find that identification unpalatable.)”
AgainstMonopoly.org

If the likes of PPUK and ORG try to play down or suppress the existence of abolitionists and the natural rights argument against copyright, are they really demonstrating they will act in the best interests of the public they court?

Even lawyers have led a sheltered life in this respect – see
‘Copyright Abolitionists’ Fight for Freedom-Based Distribution of Artistic Work

Ibutton77 said 5391 days ago :

Bwaha, you’re comment is showing at their article presently. It claims circa 10:36am.

Now how do we get your blog to display time in addition to date, demonstrating you posted this before they let your posting through on that end? ;3

I would very much like to know what prompts Lawrence Lessig to cling to his middle-ground stance. I have heard him say on many occasions that reform is good and abolition is bad. He seems eager to present a strong foundation for his case against (strong) copyright, just as we do, however I want to know what his specific argument is against abolition.

Do you guys happen to know if he’s gone about clarifying that anywhere yet?

Steve R. said 5391 days ago :

@SteelWolf: The reason why the validity of “IP” is never questioned is because in the US you are “born” with it. Not “born” in the literal sense, but burned into your mind as part of one’s education. The concept behind “IP” is really quite simple and carries significant moral/ethical weight. Don’t artists deserve some sort of limited “protection” for creativity? Even I wouldn’t argue against that.

However, over the years, “IP” has morphed into a demon that now threatens our liberties. As you begin to observe and be affected by this increasingly onerous demon; the light bulb in your head finally goes off and you get around to asking the question concerning the validity of “IP”.

Since the video clip was made by experts in the field, this issue should have been further explored. In fact, I would say that this is a major shortcoming in the fight against oppressive “IP”. It leaves those favoring so-called “IP” with popular support that “IP” is a real property right that must be protected. The reality is that the thieves are the those asserting “IP” ownership since they are depriving the public of their rights. The public must be made aware of this.

Crosbie Fitch said 5390 days ago :

Ibutton77, as for Lawrence Lessig, given the extent of his career in law I wouldn’t be surprised if he sees law as an unimpeachably virtuous institution, and any social problems it causes as perfectly amenable to legal solution, i.e. in copyright’s case, Creative Commons licenses. I suggest that he is therefore a wholly committed advocate of copyright and supports the notion that an author should have the privilege of determining how their work may be communicated or exploited by society (despite the fact the privilege was created for the press).

So to copyright advocates, copyright abolition is pretty much heresy, and to support the proposition that copyright is an unconstitutional instrument of injustice would be akin to the apostasy of confessing to the pope’s fallibility and conceding that the Earth orbits the Sun.

As I said on his blog “If there’s any man who will have done more than any other to prolong the lifespan of copyright legislation more than a century beyond its 200 year use by date (1910) by popularising its use by impotent self-publishers, it’s Lawrence Lessig.”

Without Creative Commons, there’d be far less respect for copyright (see Creative Commons consolidates old-school copyright?). So it’s really just postponed the build up of social pressure for ‘something to be done’ about copyright. Perversely, the publishing corporations are doing an excellent job at stoking the furnace with ACTA, and the draconian copyright enforcement legislation it is intended to spawn, such as the UK’s Digital Economy Act. So, it is ACTA we can look to as a spur to copyright’s inexorable abolition.

As for how Lawrence Lessig prefers to argue against abolition, see Lawrence Lessig warns against abolishing copyright for an example. No doubt his argument has improved since 2008.

For comparison also check out William Patry’s book Moral Panics and the Copyright Wars and a video presentation (W.Patry is someone else who developed a ‘Don’t publish Crosbie’s comments any more’ policy).

Crosbie Fitch said 5390 days ago :

Steve R, I’d readily agree that a great proportion of popular support for copyright and patent derives almost entirely from indoctrination. That’s why we get such unfounded justifications for it, e.g. “Creators deserve the reward of a monopoly: for their gift to mankind, and as an incentive to others’ creativity” and “To sell a copy is to sell another’s work, to steal the fruits of another’s labour”.

Monkey D. Luffy said 5384 days ago :

Considering how pervasive the pro copyright arguments are, even to the point where some claim it needs to be extended longer than it already is, I don’t understand why argument in favor of abolishing it is so frowned apon as to be banished from the debate by some copyright reform advocates. If nothing else, taking that off the table in the copyright debate is a terrible tactic. Look at the opposition – ACTA, DMCA, U.K. Digital Economy Bill, the pro copyright “as is” crowed has shown no lack of aggression. Even if an organization such as PPUK favours reform rather than abolition it should not stifle argument from people favouring abolition, if anything it should telling the whole pro ACTA Digital Economy Bill, three strikes side that if that is where they insist on going(which they are) then they (PPUK) will cease trying to compromise on copyright and push for an all out ban. The pro copyright people bring all their weapons to the table, the reform crowed should do likewise.

Crosbie Fitch said 5384 days ago :

Monkey, I see maximalism as aggression, reform as appeasement, and abolition as principled, but then perhaps I would…

I think reform organisations have given up hope (if they ever had it) of persuading the populace that copyright isn’t actually an individual’s right, but a privilege intended for the press. They focus on making enforcement a little more humane, if not more rigorously applied (instead of infringement being assumed, and innocence a matter for the infringer to prove).

Far more people need to question copyright – fundamentally.

Crosbie Fitch said 5383 days ago :

See Can Copyright Be Saved? for another example of people with the strange notion that the way to preserve a privilege is to prevent its detractors having the opportunity to raise arguments against it.

I’m referring in particular to Rick’s comment in which he requests: “Hey moderator! Can we please NOT have any more posts from C. Fitch?”

Jassmonsteret said 5383 days ago :

Hi, I’ve been reading this blog for a while and started questioning copyright myself as a result.

“What’s going on is that more and more people are discovering that their natural liberty to share and build upon their own culture has been suspended by an iniquitous 18th century anachronism.”

I have two objections, first, who’s to say that what’s natural is what is good? Or that when something is natural, it is the right thing to do?
The second one is that you claim copying a right we are born with. I think that we are not really born with any rights, just as we are not born with any language, but that we agree that we are born with them.

Crosbie Fitch said 5383 days ago :

Jassmonsteret, I suggest you search the web to consider and compare diverse explanations of natural law and natural rights (and criticisms thereof).

Primarily focussed in the digital realm, I exhort the restoration of the individual’s natural rights concerning the possession, creation, communication and exchange of intellectual work, through the abolition of the privileges that derogate from them (copyright and patent). I enumerate natural rights as: Life, Privacy, Truth, and Liberty. They are the innate needs, powers and imperatives of human beings if considered as equals in a harmonious community. Inegalitarian states can grant greater powers and privileges, but then these are not natural, and are, as Paine says, instruments of injustice.

For further reading I’d suggest The Ethics of Liberty by Murray N. Rothbard

There’s always The Rights of Man by Thomas Paine

'Open' 'Rights' Group · Tuesday March 16, 2010 by Crosbie Fitch

On the Open Rights Group blog post today by Jim Killock (ORG Executive Director) entitled “What Panorama Didn’t Talk About: Our Rights”, I submitted a 2nd comment by way of reply to another commenter called ‘Tom’. Unfortunately, Michael Holloway (ORG Development Manager) e-mailed me to say “We don’t want every comments thread to descend into the same philosophical argument so i’m not going to publish this.”

So, I’m publishing it here instead. Let’s hope Tom finds it one day.

It seems strange to bar my comment on the subject of rights from a post specifically concerned with ‘Our Rights’, especially by an organisation seemingly interested to encourage openness and the upholding of our rights.

Anyway, here are the respective comments:

Crosbie Fitch

Privilege of Copyright vs Natural Right to Copy
Reply #7 on : Tue March 16, 2010, 10:00:25

It’s the old “Would you sleep with me for a £million?” question. If you support copyright we’ve established you’re happy to surrender your right. All that’s being quibbled about now is the price (social cost of enforcement).

You can’t surrender your natural right AND complain that those you’ve surrendered it to are too eager to protect and exploit the privilege you’ve given them.

This won’t get resolved until the doublethink ends.

Tom

Re: Crosbie
Reply #4 on : Tue March 16, 2010, 10:41:45

Hi Crosbie,

Whilst I agree in principle, I think in practice we have to act. It seems to me that copyright laws will have to evolve or be got rid of altogether because I don’t think anyone can halt the growth of sharing on the internet.

Unless, that is, we end up on a glorified version of a corporate network where almost nothing except http and https to a list of approved websites is allowed (oh yes and pre approved Microsoft gaming ports and protocols for the proles). I cannot believe even the average consumer would put up with this btw., even joe public must surely be able to recognise that we’d be worse off than the Chinese if that happened?!

Nevertheless, to be absolutely certain we do not even begin to roll along that road we MUST do everything we can to prevent this bill from being passed into law.

Crosbie Fitch

Go back to the shadow. You shall not pass!
Posted/Failed moderation on : Tue March 16, 2010, ~11:30am

Tom, we cannot act – unless you mean to analyse, discuss, and argue.

The people can act, but only when they are roused. And it’s going to take quite some time before that happens, before the copyright based industry’s lobbied legislation starts kicking in to cause that degree of suffering.

The best thing to do about the 18th century privilege of copyright is to abolish it, restoring the individual’s natural right to copy. Then there’d be no calls to fine people on the basis of an accusation, bankrupt them, disconnect them, or censor their websites (or other ‘Internet locations’).

It should not be surprising that unjust legislation is being passed to enforce an instrument of injustice. What surprises me is just how difficult it is for anyone to even consider that copyright might be an injustice – without simply reeling off received pretexts and platitudes, comforting myths to avoid the unpalatable truth.

However, even if people do come to realise how copyright has become a weapon to be used against them, it’s not clear that shareholder centric publishing corporations would do anything except continue to plead for more firepower, more damage, more pain and suffering to ‘educate’ and subjugate the masses.

If they really would insist on pursuing the preservation of their monopolies despite the hidden economic cost to industry as a whole, then one way of retaining copyright on the statute books, but in a far less sociopathic form, would be to exempt the individual from possible infringement, i.e. make copyright apply exclusively to corporations.

One could even suggest an intermediate, ‘Back to the 80s’ copyright reform. This would limit copyright’s applicability to the individual to cover only their illicit manufacture and distribution of material copies, i.e. any electronic communication or diffusion by the individual would be considered ‘copyright exempt’ free speech whether it involved copying or not.

Thus, selling illicit copies of movies on DVDs or memory sticks in a car boot sale would remain an infringement, but file-sharing would not be (unless by a corporation). In this way the traditional printer’s monopoly is maintained, but the new technology upon which copyright is completely ineffective, warrants the removal of that invidious weapon’s use against the individual. This is the effective situation today anyway, so legislating it doesn’t actually change anything except to remove from corporations the power to randomly bankrupt or otherwise persecute fundamentally innocent citizens.

NB None of this (even abolition) derogates from any individual’s moral rights concerning their intellectual work, nor their natural exclusive right to their private intellectual works.

So there could certainly be more humane legislation, but unfortunately, it’s neither us nor the people who are able to get it rubber stamped by parliament. In any case, even if the individual was exempted by copyright, it’s likely there’d still be things like amendment 120a to permit the censorship of allegedly infringing websites. That’s why I’m a copyright abolitionist. There is nothing good either ethically or economically about copyright. Abolish copyright and you prevent disastrous enforcement measures, DMCA, EUCD, ACTA, DEBill, etc.

So, for the Digital Economy Bill, this is a demon that has now been unleashed.

Sadly, in this world there are no wizards to prevent its passing.

The interesting time in which we live is about to get more interesting…

In Whose Interest Is Copyright? · Friday March 12, 2010 by Crosbie Fitch

It is sad that so many persist in thinking that copyright is a right created for the author, and a right that belongs to the author. It should be strange that it must be created for them, and very strange that they can sign it away.

As everyone should know, rights are not created – we are born with them. Privileges are created – through the derogation of the rights we already have. These privileges are like rights, but they are created through legislation, hence lawyers prefer to term them ‘legally granted rights’, ‘legal rights’, or simply ‘rights’. Because (thanks largely to copyright lawyers) the latter usage has now almost superseded the original, natural meaning of right (much to copyright holders’ pleasure), too many people use the word ‘right’ interchangeably without realising that right qua privilege is completely antagonistic to right qua right.

Now that people are twigging that something is going fundamentally awry with respect to children being sued millions for file-sharing and copyright considered a fundamental right of the artist (that prevents them starving), it’s more important than ever to resurrect the distinction between a (natural) right and a ‘right’ (crown privilege). We cannot continue to use a homophone for both.

Copyright is called ‘copyright’ because it is the suspension of the people’s right to copy, in order to reserve it into the hands of those privileged with it, who hold that privilege, hence ‘copyright holders’. We have Queen Anne to thank for granting the privilege.

For a little history concerning who copyright was created for (neither the author, nor the encouragement of learning) I’ll hand you over to Karl Fogel. Copyright actually discourages learning by impeding the free flow of ideas and communication of knowledge, because I would normally be committing copyright infringement in order to present an extract from his Question Copyright website:

Around 1700, political changes caused the government to loosen its control over the press. No longer desiring strong censorship, the government decided to allow the Stationers' monopoly to expire. This was a direct economic threat to the Stationers' monopoly-based livelihood, and they responded by proposing a compromise: they argued that authors have a "natural right" of ownership in their works, and that furthermore this right could be transferred to others by contract. The placement of original ownership with the author was a smart political ploy, by which the Stationers avoided charges that they were attempting to resurrect the old (and unpopular) monopoly mechanisms. But the stipulation that these new copyrights were a form of property, and therefore transferrable, showed the real motive behind their proposal. The Stationers correctly foresaw that authors would need to transfer copyright to a publisher as an inducement to print, and that therefore the publishers' position would about the same as it had been before. Indeed, their hand would be strengthened, because now the exclusive "ownership" of a work would now be based on well-established property law, instead of the temporary whim of the government.

The Stationers managed to persuade Parliament, and the result was the Statute of Anne: a copyright law created by the publishing industry, for the benefit of the publishing industry, and modeled on a defunct censorship system. The closest the Stationers ever came to talking about copyright's benefit to society was in arguing that they could not afford to print books (and thus encourage authors to write books) without protection against competition. Why books were to be considered different from other kinds of goods was never satisfactorily explained — one is left with the distinct impression of a monopoly-softened trade group in a panic at suddenly being asked to survive without special protections.

All this is a far cry from what the copyright lobby wants you to believe. There was no uprising of writers, clamoring counterintuitively for the right to prevent people from copying their works. The writers themselves never really participated in the debate around the creation of copyright. The argument was crafted and presented by publishers.

Copyright is not about subsidizing creators, it is about subsidizing distributors.

For further reading I highly recommend “The Surprising History of Copyright and The Promise of a Post-Copyright World” by the same author.

Creator's Rights? · Wednesday March 10, 2010 by Crosbie Fitch

Jim Killock of the ‘Open’ ‘Rights’ Group (ORG) falls into the trap set by publishers in terming their 18th century privilege of a reproduction monopoly as a ‘right’ (omitting ‘legally granted’ to insinuate ‘natural’).

In his comment of March 10, 2010, 11:57:57, Jim Killock appears to believe copyright is a creator’s right and should revert to that individual artist rather than the record company that they signed with.

On the other hand, I can think of several instances where we’ve backed creator’s rights. In the term extension debate, we strongly argued that rights should revert to artists, not record companies, even within the existing term of sound copyright.

We also argue very strongly for a parody exception in copyright, which to our mind is a ‘creator’s right’, and much of the highly valuable comedy sector would benefit from legal certainty.

In our response to the P2P consultation, we argued that license deals were being blocked by the major rights holders (not the artists themselves), and this is depriving artists of the income they deserve.

I suppose Jim therefore believes that a ‘creator’ could sell their right to make a parody?

It is the right to make a parody that in some jurisdictions is suspended by the privilege of copyright. However, you can’t have it both ways. If you’re going to call copyright a creator’s right then obviously it already includes the ‘right’ to make a parody. So, why make an exception in copyright if copyright is already a creator’s right?

If copyright is a creator’s right then making an exception for parody because that really is a creator’s right seems to be redundant.

Jim is going to be very confused (as is ORG and its members) if it keeps on using the term ‘rights’ for both privileges and rights.

Here are a couple of clues to tell the difference between a ‘right’ and a right.

  • If it can be sold, transferred and/or held then it is a privilege or ‘right’ as some confusingly prefer to term it (qv Rightsholder).
  • If it is something that the individual is born with, that all individuals have equally, that like a shadow no individual can sell or otherwise be alienated from, then it is a (natural) right, e.g. the right to life.

Unscrupulous legislatures can of course still make laws to suspend an individual’s rights (derogation) in order to grant privileges, such as the granting of copyright and patent in the 18th century, and as ACTA requires to be granted in the 21st. Incrimination upon accusation?

I posted an explanatory follow up comment to Jim’s, but at the time of writing it has not yet passed moderation:

Jim, copyright is not a creator’s ‘right’ in the same sense as ‘right’ in ‘human right’. If it was a natural right instead of a legally granted right it would be inalienable and the individual wouldn’t be able to sell it to a record company. There wouldn’t therefore be any conception of it reverting.

Legally granted rights, or privileges, necessarily involve the state’s suspension of the individual’s respective natural right. So copyright (granted for the exploitation of the press) involves the state’s suspension of all individuals’ natural right to copy (even the musician has lost their right to copy their own music – they may choose to retain the privilege to do so of course, instead of selling it).

This is why ORG cannot claim to be about protecting the individual’s rights if it also attempts to protect privileges granted for the purposes of exploitation by manufacturers of copies such as record labels and other publishing corporations.

The right to make copies does not belong to the creator, but to the people – they are the one’s who’ve had their right suspended, and it is to them the right should revert, to be restored. That’s why a lot of people have the idea that copyright should only last a couple of decades – a commercially lucrative monopoly, at the end of which the public’s suspended liberty to make copies would be restored.

You’ve got to recognise the difference between protecting and restoring the individual’s rights, and protecting and reverting privileges attaching to original intellectual works.

Are you the Open Rights & Privileges Group, or the Open Rights Group?

And as Rob suggests, the ‘Open’ bit may need some attention too.

I’ve now added:

We’ve had copyright for such a long time that its proponents’ use of ‘right’ as a contraction of ‘legally granted right’ has conflated and corrupted the original 18th century meaning of right as a natural right.

The following excerpt from Wikipedia’s page on Thomas Paine’s Rights of Man seems to put the difference between ‘right’ and right most succinctly:

Human rights originate in Nature, thus, rights cannot be granted via political charter, because that implies that rights are legally revocable, hence, would be privileges:

It is a perversion of terms to say that a charter gives rights. It operates by a contrary effect — that of taking rights away. Rights are inherently in all the inhabitants; but charters, by annulling those rights, in the majority, leave the right, by exclusion, in the hands of a few . . . They . . . consequently are instruments of injustice.

The fact, therefore, must be that the individuals, themselves, each, in his own personal and sovereign right, entered into a compact with each other to produce a government: and this is the only mode in which governments have a right to arise, and the only principle on which they have a right to exist.

Thus: The Statute of Anne, by annulling the (natural) right to copy (that is inherently in all the inhabitants), in the majority, leaves that right, by exclusion, in the hands of a few (copyright holders). The privilege of copyright is consequently an instrument of injustice – held in the hands of a few.

You cannot understand copyright in the 21st century in terms of ‘right’ because the term ‘right’ has itself become corrupted by the privilege it is now used to describe.

Tom said 5432 days ago :

You are an extremely lucid thinker and writer, and this is one of a few really worthwhile blogs I’ve come across on this subject. I’d also include openrights.org in that list. Speaking of which I replied to your comment @ www.openrightsgroup….

I look forward to reading your next entry, particularly if it is going to contain more of the meat on your proposed open business model(s).

 

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