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Approaching Inversion · Thursday November 12, 2009 by Crosbie Fitch

Steve Outing’s article So what exactly is newspaper web ‘premium’ content? Please tell me has generated some interesting discussion relating to the two quests I see these days:

  1. Individual artists/journalists seeking a new source of commission
  2. Dinosaur publishers seeking the philosopher’s stone (the fabled business model that enables them to continue selling that which people can make themselves for nothing).

I describe it as a paradigm inversion: Your readers pay you to write. You don’t charge your readers to read.

Thus the nimble and mammalian journalists will inexorably realise that their future customers and commissioners are their readers, and the dinosaurs will create walled gardens in a futile attempt to charge readers to read – slowly suffocating through a lack of the oxygen of publicity.

In the following comments in the context of newspapers, it’s interesting to see our language (cf Bill Garber) converging, and yet I suspect it remains polarised on either side of the paradigm inversion. So it may well be that the inversion, when it happens is hardly noticed. The Earth’s magnetic field may flip, but we’ll simply change the labels on all the magnets and compasses, so that magnetic north remains where we’re comfortable for it to remain.

What were once thought of as members or subscribers1 charged for access to an exclusive club, will become sponsors or patrons willingly contributing to the funding of the public works that they’re interested in – a relationship that all are encouraged to form. From being ‘charged for access’ to ‘paying for publication’. Instead of the audience coming to the circus and paying to see the performance, the audience pays the circus to broadcast the performance.

  • What has enabled and caused this change? The Internet.

From having to visit a single location to buy tickets, or purchase a single copy as both product and ticket, the global audience can now purchase tickets at home, and see the performance at home.

The problem is that inversion, the reversal of power roles. The vendor is no longer the only one with the illusion of control. Tomorrow the customers are also blessed with that conceit. The customers unwittingly self-organise into a body that commissions the vendor’s production. The same product is made, the same money changes between the same hands. However, the public is no longer subject to the publishers’ will. It’s the scary situation where both have something the other wants, but a new more equitable deal has to be made where both sides recognise the other as their equal.

The customer is no longer a submissive cow to be milked, where art and news are continually substituted with lower grade filler or content until it ends up being fed with its own offal and faeces.

The artist and journalist is also no longer a captive attraction in a theme park where a robber baron charges saps for access and erases their cameras on exit. It would be wise to consider the inversion where the customer is in the castle that is their home and charges the artist and journalist their labour for access (this ties in with Bill Densmore’s ‘attention’). If you’re an artist or journalist then you’ll be nimble enough to leave the theme park and allow your services to visit the customers interested in purchasing them. If you’re a theme park owner you’re in trouble. You may well believe that salvation lies in making your attractions ever more irresistible, and ever more secret and secure behind ever higher walls, but then there’s not much I can suggest that fits that niche except virtual prostitution. Even massive multiplayer games can operate with free spectators.

It’s a hard enough task trying to persuade artists to leave the meagre security of their captors and deal directly with their audiences, but they’re going to have to do it sooner or later, as their fourth estate crumbles into ruin about them and ceases its ability to provide shelter or serve as an effective marketplace.

The paradigm inversion is underway. Relationships are changing. Solutions are being developed. Pioneers are exploring them. Thousands of flowers will bloom (even if as yet we see only a few pretty daisies in a flower pot). Doc Searls was among the first to recognise and understand this revolution, and he is not charging for access to an exclusive club. Everyone is free to join the cluetrain. For some earlier discussion re Emancipay (formerly PayChoice), see PayChoice for Newspapers. And everything else that’s free.

____________________

1 ‘Subscriber’ once meant ‘underwriter, pledgor, contributor or patron’, and that’s a definition it will soon revert to from the one its had for the last three centuries: ‘one regularly charged for use, access to, or a copy of, a publication or broadcast service’. Just as the magnetic pole can flip, so can the meanings of our words. ‘Subscriber’ last inverted in meaning when copyright was enacted in 1710 – from a dominant commissioner to one who submits to a charge. (qv Assurance contracts).

A Natural Right to Sing Billy Bragg's Songs · Sunday October 25, 2009 by Crosbie Fitch

On the new a2f2a website Billy Bragg asks me “Why do you believe you have a natural right to share and build upon the published music you receive without having to seek permission, or pay any tax or royalty?”

To me this is akin to asking me why I believe the Earth is spherical.

It is not an unreasonable question, especially if we simply take what we’ve grown used to at face value as ‘the way things are’. Consequently, for the Earth to be flat doesn’t seem particularly unnatural. However, if you take any time to investigate things in depth, just as you realise that the Earth can’t possibly be flat, you realise that one can’t possibly have a natural right to prevent others making copies of anything that you give to them.

Just as a basket maker has never naturally been able to prevent those who purchase their baskets from making copies or using them to carry silver without a cut, so a songwriter or musician has never naturally been able to prevent those who hear their songs or tunes from singing or performing them, or doing so for money without royalty. It has always taken a potentate and their police force to do such things, e.g. prohibit the wearing of imperial colours or collect a levy on wine. Individuals naturally born as equals are not born with such a privilege of dictating what other people may or may not do with the things they have made, purchased, or discovered (irrespective of similarity to, or provenance from, any other). Even the power of collecting a tithe, levy, tax, or royalty takes the power of a church, baron, or king to achieve.

Natural rights are those powers or abilities to defend their interests that individuals are born with (as equals), i.e. the power to protect their lives (their bodies), their privacy (and the possessions within it), the truth (their apprehension of it against deceit or impairment), and their liberty (against the will of others). Rather than solely relying upon each individual’s physical strength these natural rights are supposed to be additionally and fairly protected by a government empowered by the people precisely for this purpose. Such a government is not empowered to grant privileges (though sadly, by dint of the power they can assume, they do anyway).

In 1710 Queen Anne suspended from individuals’ natural right to liberty their right to copy or perform the original works of others. This right to copy was reserved as a transferable privilege initially attached to each original work, hence ‘copyright’. In effect the individual’s inalienable liberty had been alienated from them by the state to serve both the state’s interest in seeing political expression controlled, and the interest of the stationers’ guild in continuing their members’ monopolies (especially as legally enforceable). Neither state nor guild was interested in their power or profits being undermined by the propaganda or piracy of an uncontrolled press.

Three centuries later, we are still born with the natural right to copy or perform the original works of1 others, but there now exists a privilege known as ‘copyright’ that enables the holder thereof to exclude us from doing so. Government via the police protect our natural rights, but they do not protect privileges. This is why the police aren’t supposed to arrest people for singing songs against the copyright holder’s wishes or making recordings at concerts and selling copies thereof. The responsibility and expense of policing and asserting their privilege is entirely that of the copyright holder. Well, it has been until relatively recently. The publishing corporations are lobbying for their privilege of copyright to become as protected by the state as any natural right of an individual. Such privileges are also known as legal rights, since whilst they appear to recognise a right, that right does not arise in nature (to be protected by law), but arises only from the law itself (protecting the state’s, crown’s, or lobbyists’ special interests).

So, all discussion of the legal rights artists may still need or those that might remain lucrative to them, even if copyright’s ability to exclude unauthorised copies is largely ineffective, are misguided. Ethically, people can only ask for the protection of the natural rights they have, not those privileges they may covet or believe they need to make a living. They should certainly not be tempted to adjust one privilege into another, e.g. if one’s privilege is no longer able to prevent copies made by another, one should be given the privilege of extracting a royalty from another, if their business involves the use of one’s work.

The distinction of natural right from state granted privilege is not new thinking, but was well known even as the US Constitution was being framed in 1787. See the WikiPedia entry concerning the work Rights of Man by Thomas Paine:

Human rights originate in Nature, thus, rights cannot be granted via political charter, because that implies that rights are legally revocable, hence, would be privileges:

It is a perversion of terms to say that a charter gives rights. It operates by a contrary effect — that of taking rights away. Rights are inherently in all the inhabitants; but charters, by annulling those rights, in the majority, leave the right, by exclusion, in the hands of a few . . . They . . . consequently are instruments of injustice.

The fact, therefore, must be that the individuals, themselves, each, in his own personal and sovereign right, entered into a compact with each other to produce a government: and this is the only mode in which governments have a right to arise, and the only principle on which they have a right to exist.

The US Constitution correctly recognised that authors and inventors have a natural exclusive right to their writings and inventions (where exclusive – deriving from the individual’s natural right to privacy). However, while this right should certainly have been secured, it should never have been extended or substituted with the grant of monopolies. It just goes to show how appealing monopolies are to those interested in them that they were legislated anyway (in 1790), in spite of the Constitution.

What we see today is that copyright is not only a privilege that conflicts with individuals’ natural rights (their cultural liberty and freedom of speech), but a privilege that conflicts with the very nature of information and its communication. It is simply not possible (even for the state, let alone an individual), to remotely constrain the distribution of intellectual works, because it is not possible to remotely constrain the communication and diffusion of information (despite the snake oil that is DRM).

So, it is foolish to suggest either that copyright’s term is shortened (to 28 years, 28 weeks, or even 28 days later), or that those whose business may be seen to benefit from the use of another’s work should pay a share of their earnings. Such privilege is preposterous and an offense against both nature and man. It is a protection racket of those already corrupt and powerful, or of those who have become corrupted by unnatural power.

We earn a living from our work by exchanging it with the work of others, voluntarily. Money=work. There’s nothing wrong in exchanging our labour, in selling the music we make or the copies we make of others’. What’s wrong is in being unnaturally able to prevent anyone else doing so, or being able to demand a royalty. What we have a right to is the free exchange of our work or possessions (liberty). We do not have a right to give our work away and then demand payment for its possession, use, or reproduction. Such a ‘right’ would be appealing, but nature has not seen fit to imbue us with it.

Without unnatural monopoly, we’re still left with the natural ability to sell our music, and the ability to make and sell copies of it. However, there is no market for copies that people don’t need to buy (that a monopoly can no longer prevent being made). The market for musicians is in making music that people want to buy (in preference to, or in addition to, making their own).

The market for copies has ended. The market for music continues unabated. There is neither need nor sanction for monopoly or any other privilege.

I and umpteen thousand others may pay you a penny to write or sing a song, and you may consider that an equitable exchange. However, my audience can also pay me to sing that song and I don’t owe you a penny – naturally. That’s how it used to be, and that’s how it should be. We just have the embarrassment of three centuries in which we put up with a state granted privilege that had it otherwise.

_________________________

1 That’s ‘of’ as in ‘authored by’, not as in ‘owned by’. It is an unfortunate ambiguity of the English language that possessive prepositions and pronouns are used for authorship/paternity as well as ownership or physical possession, especially when there’s considerable interest in some quarters for the meanings to become permanently conflated.

Ibutton77 said 5568 days ago :

(assuming it gets moderated in) I have commented on this thread:
a2f2a.com/2009/10/19…

Say, Billy mentioned making a new thread for discussing copyright. Do you know how one could find that Crosbie? Also, anywhere there did you link back to the answer you supplied here?

Crosbie Fitch said 5568 days ago :

Good comment. The penny rhyme is apposite.

There’s a copyright category and a thread The question of copyright.

I didn’t link back to the answer I supplied here, no.

Yes, We Are All Individuals! · Wednesday October 21, 2009 by Crosbie Fitch

The worm is turning from a cultural sloth into a cultural insurrectionist. There is a rebellion afoot, where artists and their fans are now reasserting their natural rights and deciding to do business with each other directly. It is a movement to escape the shackles of the publishing corporations’ unethical privilege of copyright, to escape from the indentured penury of publishers’ deceptive contracts.

This is the end of copyright, and the disintermediation of those who would use it to extort and abuse the people.

This is the beginning of the digital renaissance, a new enlightenment that rediscovers the natural relationship that should exist between artists and those who appreciate them. One that existed until it was corrupted by the cultural constraint of copyright in the 18th century, and is now all but suffocated by the pervasive and insipid pulp produced by the multinational publishing cartels.

And to mark this beginning a new website has arisen, a2F2a.com, a site prompted by the historic rapprochement between Billy Bragg (FAC) and Jon Newton (P2PNet), to discuss, deliberate and document this more natural way in which artists can relate to their fans, and those fans can relate to their artists. A kind of relationship that is prosperous without being exploitative, and one that not only embraces the radically different economics of the digital age, but also necessarily restores the people’s cultural liberty.

However, just as people should no longer be dismissed as couch potato consumers to be fed the lowest common denominator, we must also recognise that we are all artists and all fans. We may well sometimes be fans of more artists than we have fans of our own, but fundamentally we are more than simply an either/or ‘artist or fan’, we are all individuals. The term ‘artist’ or ‘fan’ denotes a role or relationship, not a political status nor a social caste.

  • As creative individuals, we are all artists and many of us would welcome a financial incentive to produce our art.
  • As individuals appreciative of creativity, we are all fans and would be pleased to offer our favourite artists a financial incentive to produce their art.

We have to get back to such fundamentals before we can recognise that the traditional recording and publishing industry we see falling into decay and corruption before us had been built upon expedient foundations of 18th century permafrost – the treacherous foundations of unethical privileges that have now melted into a stagnant swamp that impedes all cultural progress.

The structures we build from this day forth to facilitate a more natural and ethically sound relationship must be built back on the same bedrock that mankind’s cultural heritage has been based on since the stone age and as relatively recently as the 14-16th century European renaissance.

We need to get back to an ethical incentive: money for art, liberty for people.

Ibutton77 said 5573 days ago :

Sounds nice. I cannot see anywhere their stance about copyright. Is copyright an issue this community holds a firm stance on, or a matter they discuss, or gloss over?

Crosbie Fitch said 5573 days ago :

As a2f2a.com has only just been launched I think all issues are currently ‘to be discussed’. After all, the ink on their mission statement still smudges.

However, given that this site is a meeting of those interested in exchanging art for money (artists, fans), and those interested in the restoration of their liberty to share and build upon published works (fans, artists), then a ‘stance about copyright’ is inescapable.

If you’re interested I’m sure they’d welcome your participation.

Scott Carpenter said 5572 days ago :

I like the welcome statements at a2f2a. The hostility they mention is always striking to me when I see it at techdirt and elsewhere. All the contempt and fear. (And I can understand the concern. Things are changing. People are afraid of what they imagine is being lost. And something is being lost, for some people…)

On another note — although related in that some of the hostility appears there — have you see this:

diveintomark.org/arc…

Good post and interesting to see how people react.

Crosbie Fitch said 5572 days ago :

I think one of the final hurdles people have to overcome in terms of grokking cultural liberty (that is a prominent issue in the article you link to as well as it will be on a2f2a), is the “Well, ok, you can make and share copies of my work, but only for free – if you start making any money I damn well want a cut!” mentality.

It is that mentality that not only causes paradigm shift pains to nouveau copylefters, but also lies at the root of movements to claim royalties on sale of second hand copies (droit de suite).

It surely can only be copyright indoctrination that persuades people that unlike material workers, intellectual workers deserve a share of any earnings the purchasers of their products obtain through their utilisation, adaptation, or value added resale.

Sell your work and move on. Let it go. You’ve made your money, let the purchaser make theirs.

The Wicked Neglect of Orphans · Wednesday October 21, 2009 by Crosbie Fitch

Glyn Moody beseeches Won’t Somebody Please Think of the Orphans?

Clearly, the fundamental issue of preserving our cultural heritage is being neglected in favour of either protecting the privilege of copyright against inexorable, pragmatic dilution, or squabbling over the imagined treasure Google must have scryed in the fruits of scanning vast libraries of printed works.

It’s a combination of Idiocracy and the deplorable destruction of the Ancient Library of Alexandria.

In other words, we’re looking at the moronic perpetuation of a culturally counter productive privilege by morons for morons (publishing corporations), simply because it helps their bottom line and damn the preservation of mankind’s cultural commonwealth.

In the case of orphan works, instead of being unwitting arson, it’s more like the slow fire of rust, i.e. the irresponsible neglectfulness typical of kids who leave their bike out in the rain when they’ve been distracted by something more worthwhile, but who will scream blue murder if they see any other kid lay a finger on it.

Far better to harness the vast information storage resources we have to store great numbers of redundant copies, than to leave the last remaining books or manuscripts at the mercy of ‘Soylent’ caretakers still deliberating as to which shelf should next be emptied to stoke the building’s central heating furnace.

This is why Google’s book scanning should be embraced irrespective of any handwringing angst over the potentially unauthorised copies so made.

What would people prefer in a few decade’s time?

  1. The preservation of unethical legislation that prohibits unauthorised copies, OR
  2. A digitally preserved cultural heritage that also includes printed works?

Sod the printers’ prerogative, what’s the point of them publishing mankind’s knowledge if their petulance prevents its preservation?

We need to have a Fahrenheit 451 day, where in an act of civil disobedience people bring out their book scanners and wilfully take pains to preserve that which a corrupt state has prohibited them from preserving.

Then we’ll see the police come out and burn these unauthorised copies, in just as corrupt a fashion as Amazon withdrew copies of unauthorised books from its Kindle.

Does it really take this sort of symbolism before people recognise that copyright is a corrupt constraint of their culture?

Ibutton77 said 5573 days ago :

Yay, I said something similar in the middle of a slashdot comment rant a couple weeks back :D

slashdot.org/comment…

I’ve been noticing that people get hung up on the idea that “creating original work” is the only means by which value can be created. Google indexing the web is “making money on the backs of everyone else”, and so forth.

People don’t grok that pattern and organization are at least as valuable as raw data is. Of course they might change their minds if you ran a utility that rearranges every byte on their hard drive so as to be sorted in numeric value. All the raw information is still there, but is absolutely meaningless without it’s context of organization.

Crosbie Fitch said 5573 days ago :

It’s a good slashdot comment. :)

I think creating ‘original’ work is great, worthwhile and valuable, however, the value is best determined in a goodwill or monetary free market exchange with the interested audience. Such value should not be presumed and should certainly not constitute sanction to suspend the public’s liberty to share and build upon that work (to profit publishers and the interests of the state in controlling the press).

Spacial or temporal pattern/organisation is information. A rearrangement thus affects the information. If irreversible then information has been lost. If you write a poem in Scrabble tiles and someone then comes along and sorts them into alphabetical order, the information constituting the poem is lost and one must hope the poem is memorised elsewhere. That’s not the same as an information preserving rearrangement, e.g. where a code is used to encrypt the poem.

Ibutton77 said 5568 days ago :

Yep, my “rearrangement” comment is a jab at philosophical reductionism. A whole is greater than the sum of it’s parts simply because “sum” does not infer the original organisation nor relationship of those parts.

For example a reductionist might argue that a human being is nothing more than a collection of chemicals you can get for a few dollars at a chemistry store. The truth of course being that while there may by no other significant physical ingredients present, the immensely intricate organisation of those ingredients is not only noteworthy but almost exclusively important to the inestimable value of a human person.

By the same token, it is foolish to overestimate the value of “original work” so much as to prefer such work remain forever separated from anyone who may benefit from it than to allow it to be organized.

Be it trillions of web pages with no comprehensive index due to the perceived IP invasion of the indexing process (in a hypothetical past where search engines could legally never get started), or millions of out of print books languishing forgotten in bookstores and libraries scattered over the globe today for precisely the same reason.

Crosbie Fitch said 5568 days ago :

Unfortunately, in oberving the value of a selection or index, people believe that some of that value must be due to what is being selected or indexed. However, even if it was (which it isn’t), the thing indexed has already been paid for.

If someone arranges a box of matches into a work of art, the artist has no dues to the match maker, even if the matches remain valuable. Of course, if the match maker had been given the privilege of collecting a royalty should any of their matches be used commercially (as opposed to domestically), they may well still have a claim for a share should the work of art be sold.

It is only the privilege that has value to its holder, and its infringement that seems a loss to them. Those who have grown up with privilege see it as a right, and can’t see the natural right that it violates, and the real cost it represents to others who have lost that natural right.

Everyone should be free to index published works, not just Google.

Everyone should be free to broadcast published music from their radio station or make and distribute copies from their website. And that’s free of royalty or tax.

Similarly, all musicians should be free to exchange their labour of producing new music that builds upon the music of others, with the money of their enthusiastic audience. Those musicians will in turn be among the audiences of those artists whose work they build upon.

To instead suspend people’s liberty, to place constraints on society’s cultural productivity and progress in order to reward and control the press, is an 18th century corruption that should have been abolished along with slavery.

Barmy Luddites at the British Library · Friday October 16, 2009 by Crosbie Fitch

Someone who perhaps needs to remain anonymous has commented further on Glyn Moody’s article British Library = National Disgrace concerning the British Library’s barmy and luddite attempts to ensure that the knowledge it guards from the great unwashed doesn’t spread beyond its walls any more than momentarily.

The British Library provides one in three electronic documents as Secure Electronic Delivery (encrypted) PDF’s. These documents require the Adobe Digital Editions software for which there is no Linux version currently available.

Why do these documents need to be encrypted?
Why do they need to be locked after 30 days by the adobe software?
Why provide something electronically if you can’t reference it later?

I am disappointed that what should be one of our great British Institutions is hoarding our information and succumbing to corporate influences.

It is my duty as a scientist to share my knowledge. It is the responsibility of the British Library to share the knowledge of others.

British Library SED

You can read, but you can’t copy.

I daresay the monks and other fanatical scribes would have broken any printing presses they could lay their hands on.

The church would also have ‘re-adjusted’ any heliocentric orreries to be properly geocentric.

It’s a matter of religion, not science that has decided that thou shalt not copy.

In other words it is a superstitious affectation that directs the Luddites of the information age, that all likenesses of an intellectual work collapse into a single object, which is the property of a single, ‘rightful’ owner, and theirs to control as they see fit. They believe that readers may learn by reading, but not by copying – as to learn through copying was a pre-renaissance delinquency that technology can now thwart, even against those who’d wheedle the excuse that such theft may be sanctioned for educational purposes.

So, blame human beings for their susceptibility to superstition.

Even those in charge of the British Library must be forgiven for being intellectually inferior to the authors of its contents, the knowledge and learning that might enlighten them out of their superstitious ignorance.

How can one deprogram people out of this modern mental illness that holds unauthorised copying as inherently wrong? Especially people who find themselves in positions where they may attempt to apply their deranged beliefs and implement all manner of measures to impede people’s ability to share and build upon mankind’s cultural commonwealth.

The librarians are lunatics in charge of an asylum and are locking up the books as if the rarity of their contents must be secured from thieves, and provided only on a strictly ‘need to know’ basis.

The individual loonies who make this policy should be named and shamed for posterity. No doubt they will think they’re doing the ‘right thing’ today and believe their anal policy is a thing to be proud of. They need to be given a fricking doubt!

IP: Rivalrous and Excludable · Tuesday October 13, 2009 by Crosbie Fitch

I think it prevents a proper understanding of IP to think of intellectual works as non-excludable/non-rivalrous. That only follows from the IP maximalist’s notion that intellectual works are universal, supernaturally pervasive goods, that the monopolies of copyright and patent protect as the property of their rightful owners.

The thing is, intellectual works are not universals. They are not supernaturally able to collapse into a single object by dint of similarity, and hence able to belong to a single owner. Intellectual works are always discrete physical instances. Their similarity (even indistinguishable) confuses us into mistaking them as the same object.

So, don’t be blinded by the similarity. Realise that all intellectual works are independent objects, copies or not. Each instance is the property of its possessor.

From that more natural (non-supernatural) understanding you can then recognise intellectual works as rivalrous and excludable.

Even though we may mistakenly believe we have the same Tom Jones CD, we do not. You have yours, and I have mine. You can’t use my CD whilst I’m using it, I can exclude you from my CD, and vice versa. The indistinguishable similarity of these CDs does not cause them to collapse into a single object, nor does it permit a distant owner of all likenesses to supernaturally govern the use of their property.

It is the unnatural monopoly that gives rise to the idea of supernatural ownership, not supernatural ownership that gives rise to the need for a monopoly to protect it.

FACing the Music · Monday October 05, 2009 by Crosbie Fitch

From comments on a P2PNet article entitled We are the walrus. Or, thank you Lily Allen.

Here’s the choice that Billy Bragg and others in the FAC (Featured Artists Coalition) face.

There are two perspectives that one can take with regard to the business of music recordings. Either the artist and production engineers are paid to make a studio recording and that’s the end of their interest in the matter – they have their money, the customer has their recording, OR the artist is a budding monopolist (their own record label) and will begrudge anyone who makes a further copy of their published recording who didn’t pay for it.

It comes down to whether you believe in copyright or not. Are you in the business of performing and recording music, or are you in the business of selling copies and broadcast privileges?

Do you believe that recording artists should be content that they have been amply paid for their studio recording, or would you go further and say that you will not rest until everyone who makes and sells or gives away an unauthorised copy (or performance thereof) is properly punished, and a severe deterrent is thus in place for anyone who even thinks of joining them?

It’s the difference between the equitable exchange of work for money, and the jealous guarding of a lucrative state granted monopoly.

The record labels are the ones in the business of selling copies and broadcast privileges. It is they who pay session musicians and studio engineers for their work, and they who say that should be the end of the matter. It is the labels who are in the business of selling copies and enforcing their monopolies, now to a draconian degree.

I suggest FAC should represent the artists who no longer wish the labels to pretend to represent them. FAC should comprise those artists who are indeed satisfied if they are amply paid for their studio recordings, AND that copyright is neutralised on those recordings such that the audience is then free to share and build upon them, without fear of prosecution or demands for royalty. FAC should comprise those artists in the business of performing and recording music. It should not comprise artists interested in getting into the business of selling copies and broadcast privileges (that business is ending).

FAC’s customer is their audience, their fans. FAC’s customer is not one or more record labels.

Sell your live and studio performances, and the recordings thereof.

That’s as far as you can go.

You can’t sell copies of those performances or recordings without a monopoly that suspends the liberty of your audience to make such copies themselves. It is that 18th century suspension of liberty that is so unethical. The audience and artists among them have a fundamental, natural right to copy and build upon mankind’s culture. It is that right to copy that was suspended three centuries ago and granted as the exclusive privilege of the ‘copyright’ holder. So you should recognise that this right to copy does not belong to the musician, but to the individual, to the members of the audience, to the public, to everyone. Be careful before you start talking quite so possessively in terms of your copyrights.

Sell your recordings. Do not sell uncopyable copies.

You’ve sold your recordings to labels for years, so it’s not like you’re unfamiliar with the concept. Start selling them to your audience instead.

Treat your audience like your new record label. They will take care of A&R, promotion, reproduction, and distribution. That’s why the labels are squealing blue murder – because their customers for copies are now able to disintermediate them and make their own for nothing. However, that shouldn’t upset you because you’re not in the business of making and selling copies. You’re in the business of making and selling music, performances, recordings. Your paradigm shift is that you’re now selling to your audience directly instead of via a record label. But, critically, your audience can’t make your music instead of you. That’s why, unlike the labels, you’re not confronting the inevitable end of your business. So you don’t need a law to prohibit your audience making their own music instead of paying you for it. You certainly don’t need a law prohibiting your audience making and distributing copies. Heck, unlike record labels, your audience aren’t even charging you for that service.

So, what’s it going to be?

Is FAC going to stick to the business of making and selling music?

Or is FAC going to continue this nonsense of ‘educating’ their audience against making unauthorised copies?

What business is FAC in? Music or copies?

Billy Bragg replies:

Crosbie,

Thanks for offering your opinion of the state of play. I have to tell you that I don’t agree.

For instance, you can’t tell me “That’s as far as you can go”, no more than I can tell you you can share these files but no more.It simply doesn’t work like that. Who knows what means I might have of finding a niche where I can sell my work directly to people willing to pay for it? I doubt the new models for doing business will be either/or.

Your stated position is that of a diehard P2P user. In some ways it echoes the comments that FAC get from diehard record industry executives. Both of you expect us to be on one side or the other and are quick to condemn if we don’t show the same dedication as you do. Well, Crosbie, I have to tell you that FAC aren’t one your side to that extent – neither are we on the side of the labels. We seek to represent the third component of this relationship, the voice of the artists. What we want to do, as you’ll see from our website, is to ensure that artists can continue to make a living doing what they love most – making music. I’m talking especially here of new artists. We see it as being in all our interests to open a dialogue between the various parts of the new digital industry. As a result we talk to labels – Big 4 mostly – and we talk to ISPs. We talk to the Musicians Union in the UK and to the songwriters and producers unions too. We have so far never been able to have an ongoing dialogue with the P2P community, which is why Jon’s initiative is so interesting. If we can start to build confidence in this process, I believe that we all will benefit from your input.

Billy, I’m not telling you “That’s as far as you can go” as an edict, but as friendly advice to inform you and others in FAC as to your natural limitations.

I’m trying to help you realise that you can only hope to sell that which people are interested in buying from you.

Of course, you can try and sell copies if you want to. You can even attempt to enforce your monopolies against those who would promote your music to their friends by making and distributing unauthorised copies. You can try to do that, but I don’t recommend it as a business to get into because it doesn’t have a future.

To say you cannot sell snow to Sami, or sand to Saharans, is not a forbidding, but business advice.

I’m trying to tell you in the nicest way possible that you can’t sell copies to your audience.

I vaguely recall there was some ludicrous legislation in a South American country a few years ago that made it illegal to collect rainwater in order to protect the revenues of the local water supply companies, but really, to think that legislation against copying is going to create you a market to sell copies, is something either a pre-schooler or a mafioso would come up with as a viable business model. When the heavies are the state, and only a very few printing press owners can make copies, then perhaps such a protection racket has a hope of working, but those days are over.

If you read my previous comment again, more carefully, you will realise that I’m in complete agreement with you that you can sell your work directly to your enthusiastic audience willing and able to pay for it. But you don’t seem to be able to read that in what I write. All you can see is that I’m telling you that you can’t sell copies of your work.

I neither represent artists nor audiences. I champion individuals and their natural rights, against the anachronistic privileges granted for the benefit of publishing corporations. We are all artists, and all members of audiences of the artists we appreciate. Artists are individuals, as is everyone in an artist’s audience, so I champion all, indistinguishably. All have the same rights. None have rights that others do not. We are all equals on this planet. It is the anachronistic privilege of copyright that interferes with that natural equality. It is that privilege that sets publisher against public, artist against audience, and that privilege that should be abolished.

However, that’s just my position. What is of concern here is the position of FAC and its members.

The choice I’ve suggested that faces you is not whose side you are on, but what business you are in.

Are you in the business of making music, selling compositions, songs, performances, and recordings, OR are you in the business of making and distributing monopoly protected copies and broadcasts thereof?

When you’ve decided what business you’re in, perhaps then it will be clearer to you whether you need to sue your customers for disrespecting your monopoly, or whether you should explore ways of selling your music to your audience instead of to record labels.

It’s one of those red pill/blue pill dichotomies. Bear in mind that the software industry is already well divided by such a schism, and those on each side regard the others as having an alien mindset. That’s how deep the paradigm shift goes.

Don’t write it off as ‘freeloaders wanting stuff for nothing’ – that’s pure propaganda. We’re talking free as in speech, not as in beer. This is the cultural liberty of an emancipated people, not an impoverished and culturally stagnant cultist commune.

So, have you made up your mind yet?

Music or copies?

Billy Bragg replies:

Crosbie,

This two pill thing…. its not such a black and white issue. Many musicians do both and manage to make a living. I know it would make things much more easy for you if you could force me to chose between music or copies, but we’re going to have to be a little more open to debate if we want to create an environment in which P2P is recognised as a powerful promotional tool. That’s what I want from our discussions here. You interested?

Billy, I’m always interested in discussion of the issues and progress toward solutions, especially where solutions restore people’s liberty to share and build upon published works, and enable people to exchange their labour in a free market.

I daresay there are many who would like to portray this clash of perspectives as an encounter between artists trying to make a decent living and a den of thieves. It’s a little more fundamental than that. It’s a conflict between unnatural law that says that information can’t be copied and natural law that says it can. The outcome of that conflict is obvious to anyone familiar with the schism concerning geo vs heliocentricity.

What we’re left with is the problem of a lack of facilities that enable artists to exchange their work for the money of their audience. It’s a problem caused through the neglect of three centuries, a period in which no-one needed such facilities because of the reproduction monopoly known as copyright. Artists sold their work to printers, and printers sold copies that no-one else could legally produce. Copyright didn’t have to be legislated, but it was, and as a consequence the evolution of facilities for exchanges between artists and their audiences ground to a halt.

That’s why I’m trying to be upfront with you that this is the situation. We are all interested in how to buy and sell intellectual work in a world in which one can no longer sell copies at monopoly protected prices. If kids can make copies for nothing, you’re not going to be able to change that through holy fiat, education, or bandwidth squeezing, and so you’re not going to be able to sell them copies. Fortunately, kids can’t make your music (at least not without years of effort), so you can at least sell them that.

If this rapprochement is to discover how to stop kids file-sharing you’re barking up the wrong tree. If it’s to discover how to sell your music to your audience, well, come on up.

Odin Xenobuilder said 5589 days ago :

Their charter and other info is kinda vague, but they sure do seem to come across as pro-copyright. There is vague references about changing with the digital age but most of it seems to say “We want all the money because we don’t need the recording industry anymore”.

Seems like they are pushing for a step in the right direction though, usually small steps are how we get where we need to be. By reading their material, you would think they don’t get it though. I love the perspective you’ve put on it here.

Crosbie Fitch said 5589 days ago :

Thanks Odin. It’s those small steps that we should indeed look forward to, where artists move away from the mindset they’ve been programmed with by the labels (file-sharers are scum) and toward the realisation that it’s the label’s monopoly that’s the thief, not the members of their audience.

Billy Bragg is quite aware of the long tradition of folk music and how it became radically upended by copyright, with people scouring the countryside for folk music and songs precisely to claim the monopoly of copyright upon them. That is a theft of culture from the people.

What we have now is the people asserting their ownership of their own culture – in considerable conflict with the 18th century monopoly.

It is a pity it is so difficult for musicians to see that it is not their audience who are stealing their livelihoods, but the labels who are paying the musicians to steal their audience’s cultural liberty.

It’s going to be a long and fraught journey for artists and audiences to extricate themselves from the mess they’re in, but they’ll get there.

The audience pays the artist for their art, and the audience gets to keep their cultural liberty. That’s the way it’s been for millennia, and that’s the way it’s reverting to. We just have to put up with the embarrassment of a three century historical aberration in which someone thought it was a good idea to give printers a monopoly.

Maniquí said 5588 days ago :

Really interesting discussion, that touches both the theory and the practice on how the game is changing.

A few quick questions:

1. Couldn’t labels be seen as patronage? I would say “no”, as after funding the artist (and sound recorders, and etc) they pursue some economic benefit. But, hey, it’s about live and let live.

In other words, it’s seems (as for my current mindset) that it would be easier for artists to do their work if they are paid an amount of money in advance so they know they will be able to buy/get some food at the end of the day. Of course, that’s the kind of security that we all have been programmed to pursue (both by our genes and by corporations that play with our natural fears).

Even in this ages, when digital copy is so cheap (if not free), it looks more convenient/easier/realistic to have someone to patronage (and maybe, go a step beyond, profit from) an artist, so he is able to create his art, and then sell copies (yes, ideally without a copyright) of that work to the audience, than expecting the audience to donate/pay/fund/collect the amount of money an artist may want to get by his work to make a decent living.

I think I’ve grasped all the natural right vs artificial/forced suspension of copyright, but then, I ask again: isn’t it a matter of convenience?

Wouldn’t like to take this idea of natural vs un-natural too far, but then, it’s natural to be naked, it’s natural to, well, have sex on the outside, in front of other human beings, if you like it. But it looks there is a “convenience” on not being naked, or not doing nasty things in front of others. Well, at least, we are enforced on not to do so.

I’m using the word “convenience” too much. The question then is: “whose convenience”.

Again, we’ve been programmed to believe/accept a few things, that now, on a digital world which changed all drastically, seem to not make sense at all.
It seems we will have to break the spell.

2. Then, the question also is: is music (or art) something worth of money? is it something even worth of food?
Money is another convenience and another spell we should somewhat break.

Crosbie, thanks for the space and sorry for my english and the somehow loose points I tried to make :)

PD: while we are here talking about music, let me recommend Starstika (I’ve gladly pay them for their music). There is something on their lyrics that may be related to all this mindset changes we are pursuing.

Crosbie Fitch said 5588 days ago :

1. Couldn’t labels be seen as patronage?

Labels are 100% mercenary and sell their services to artists. They seduce them with an advance and then nothing further is provided until all costs (including the advance) are recouped. Predictably all the services the label charges the artist for are at very high mark-ups. Only the most wealthy independent artists would ever consider approaching a label for their services at the same price as they charge their contracted artists.

The only risk a label takes on an artist is failing to recover the advance and any other external costs of production and promotion (a risk they are careful to keep very low, and isn’t the same as the advance remaining unrecouped from the artist’s account – a highly probable eventuality).

Imagine a casino offering Tom Jones a $10,000 advance and a 1% royalty for singing each night on condition he pays the going rate to eat, drink and sleep in the casino hotel and the costs of booking the stage and paying the stage crew, until that advance is recouped. The casino could well recover that advance after the first night, but it may take Tom Jones a year before his advance is recouped and he starts receiving any of that 1% royalty on top. Of course, he could walk away at any time, but then his singing career would be over.

Here’s some reading for those who doubt things are quite as terrible as I imply:

The future for artists who recognise it’s about selling music, not copies, is in selling their work to their audience instead of the producers of copies (labels). So, yes, the audience becomes the artist’s patron, their true customer.

I think I’ve grasped all the natural right vs artificial/forced suspension of copyright, but then, I ask again: isn’t it a matter of convenience?

Natural rights are so called because they are the rights that people have naturally, through their natural ability and power. People have a natural ability to protect their lives, their private spaces and possessions, the truth of their actions, and their freedom of movement and speech unconstrained by the will of their fellows.

As individuals we only need that power that nature has given us. We do not need power over others, just as we do not need others to have power over us. An egalitarian government is supposed to only protect this natural power, and not to privilege anyone (or any legal entity) with any unnatural power over anyone else. Monopolies are quite inegalitarian, and have been recognised as such for centuries. Copyright and patent were enacted in an age when egalitarianism wasn’t particularly highly regarded.

The question then is: “whose convenience”.

Copyright was enacted for the crown’s convenience in controlling the press, and the press’s convenience in suppressing uncontrolled competition. It was never intended a means for individuals to control the press (as we see only too well here Edwyn Collins Can’t Give Away His Music ).

Then, the question also is: is music (or art) something worth of money?

Anything you don’t have is worth what you would pay for it. Anything you have or can produce is either worth what you’d sell it for, or what you could obtain for it in a free market. People tend to wait until the market value reaches or exceeds their sale value.

Things don’t otherwise have intrinsic monetary value. It is the moment of exchange when they do. It not the moment of delivery of work, but the moment when someone has agreed a price to pay for it in exchange, and the exchange occurs. We can estimate the market value of something, but that isn’t intrinsic monetary value.

Hard work does not represent intrinsic monetary value. Thus, no-one has a right to be paid for their work. What people have a right to is free exchange and the truth of those exchanges. Thus you agree what is to be exchanged, make the exchange, and given no deceit that is the end of the matter.

It is an attractive idea to be able to publish something and put a price upon it of your own choosing, and be able to prosecute anyone found in possession who did not pay for it, but that’s not a free market. Similarly, it’s attractive to some for a central committee to appraise published works, value them, and then reimburse the publisher from a fund collected through taxation – according to how widely distributed and performed their work is – but this also is not a free market.

In a free market the artist and their audience come to an agreement concerning the exchange of the audience’s money for the artist’s work, and then make the exchange. At the point of that exchange we find out how much the artist’s work is worth in monetary terms. But, remember, neither party is forced to make the exchange if they don’t consider it equitable – the exchange only occurs if both parties find it agreeable.

Natural IP in Nihilism to Maximalism · Thursday September 10, 2009 by Crosbie Fitch

When I say that I find intellectual property perfectly natural, I’m referring to the contention that intellectual work can be recognised as property. I’m not referring to the current regime of repressive IP legislation where unnatural monopolies of copyright and patent have been granted to creators of supposedly original works.

Natural IP is much closer to the sense of property as possession than property as title. So, in my umpteen articles on this blog I’m trying to point out how IP should be recognised as natural and consequently how it should be legislated, i.e. to propose the abolition of the unnatural monopoly, but not the language.

To put Natural IP in context, here it is among four key positions – using the example of a poem:

  • IP Nihilism: No-one can own a poem, only the material comprising the copies of it.
  • IP Naturalism: Those who have legitimate1 copies of a poet’s poem own that poem in the copies within their private property (house, car, briefcase).
  • IP Monopolism: A poet should also be granted a transferable reproduction monopoly (on the pretext of incentivising publication).
  • IP Maximalism: A poet, or his assigns, owns his poem in all representations throughout the universe, forever.

Given people are so used to copyright’s suspension of their liberty, one must emphasise that without such monopoly all those who are privy to IP are naturally at liberty to copy it. In other words, simply because a book of poetry is in your private property, that doesn’t mean your guests aren’t at liberty to make copies of the books you let them have access to. Everyone is at liberty to make copies of works they are privy to – it’s the works they aren’t privy to that they aren’t naturally at liberty to copy.

So, I hope you can see how my position (whilst still against the reproduction monopolies of copyright and patent) remains pro-IP despite being anti-monopoly. And therefore, how it is distinct from IP nihilism. However, the only people who are going to notice any practical difference between IP naturalism and IP nihilism are burglars, those who aid or abet them, their victims, and those handling their stolen IP.

Even so, despite this minor difference, it is quite an important and contentious one – as can be seen from Jesse’s excellent comment on my previous article: IP Nihilism Ad Coelum et Ad Inferos

________________________________

1 Not stolen – not obtained through violation of an individual’s privacy, burglary, theft, etc.

Adam said 5615 days ago :

I have to say I agree with most of your views on this subject but I don’t think that “those handling their stolen IP” should be subject to censorship.

I agree that the theft of private information is certainly unacceptable and that it should be punishable but once the information is in the public people who were not involved in that invasion of privacy should not be censored.

For example say that a thief steals a recipe from a company for another company, but also posts said recipe on several websites without divulging its origins. I believe the thief should be punished and the company he stole for should be punished.

But how will you track who may have visited those websites and copied the recipe?

Even if you could, how many people may they have given that recipe to?

Where else might they have distributed the information?

I believe you would need something just as intrusive as copyright to police it if not more so.

And why should they have that information taken from them? they have commited no crime and are not harming anyone else.

I really think that once the information is public it doesn’t matter where it came from, you shouldn’t try to censor it.

that is not to say that i believe that the thief should be allowed to keep the information that he stole or be allowed to distribute it, if you can prevent him or catch him before he does.

But if private information is made public i don’t believe you should try and persue third parties who had nothing to do with the theft of the information.

Crosbie Fitch said 5615 days ago :

Adam, I don’t think anyone should be ever subject to censorship, i.e. their communications to be intercepted and/or prevented by the state.

However, I do think people who set out to violate another’s privacy by obtaining copies of their work and communicating it without their consent should be subject to prosecution for that violation. That also applies to those who knowingly abet that violation.

People who are unwittingly circulating such stolen IP aren’t doing so knowingly. However, they should at least cease and desist from doing so when it is brought to their attention.

There may well need to be some measure of when such C&D notices are pointless, or no longer in the public interest, but that doesn’t mean they aren’t potentially helpful and valid remedies in the case of IP theft.

Remember that for IP I’m only talking about the communication of identifiable intellectual works, not gossip.

And also remember, I’m only talking about the natural rights of the individual. Corporations have no rights except the benefit of the aggregate right of their human constituents. So, if an employee from one company reveals a recipe they’re privy to to an employee in another company, that violates no-one’s privacy.

Adam said 5614 days ago :

I think i see where you are going with that, you want to use it as a way to protect the first sale of an intellectual work so that it is still of value to it’s creator. and i think i can agree with that. thanks for taking your time to make this site, i have found it very inspirational.

Adam

Crosbie Fitch said 5614 days ago :

Adam, I think it simply falls out of Natural IP, that because intellectual work is self-evidently recognisable as able to constitute property it can thus be exchanged.

It is when people who have found the current regime of IP monopoly so abhorrent that they reject IP entirely, that one ends up with the prospect of intellectual workers being unable to exchange their intellectual work.

Let’s restore the public’s liberty by abolishing the monopoly, but let’s not go so far as to liberate the burglar by denying the property.

Adam said 5613 days ago :

Sorry but i can’t see property as anything but physical, as you yourself have said you have no natural ability to exclude anyone else from “intellectual property” hence how can it be property at all save that you take others natural rights from them to exclude them from making their own copies with their own property.

I am against the theft because i see it as a breach of privacy and that is wrong in my view, something the government should protect against.

I can accept that if someone were to make a copy of your creation by invading your privacy and sell or distribute it before you then they rob you of your chance to profit from your work the first time it is sold and so i can accept something like copyright to protect the creator in that circumstance.

But you will still be taking away my natural right to do what i wish with my property to do it.

Also property is only necessary because physical goods are rivalrous, if i take it you don’t have it. we can’t both have it at the same time.

If they weren’t then what use would there be in the idea of property?

If physical objects became non-rivalrous and everyone had a device that could freely recreate any physical object should someone have a right to deny the ability to create certain things simply because it would benefit them?

Every industry that produced a physical good would want to stop it, they would be rendered unnecessary.

yet look at the good such a device would do, no one need ever go hungry again. medicine could be easily provided to all in need to name a few things.

Idea’s are non-rivalrous there is no need to try and apply the idea of property to idea’s. it is in fact counter productive, you are trying to limit something that is essentially limitless for your own benefit.

If you want to keep something private don’t share it, if someone invades your privacy and takes it anyway punish them fair enough.

Even take the information in all it’s forms from them.

This remedies the breach of your privacy.

But the only justifications i can see for tracking down any uninvolved third party who may have that information and taking it from them are commercial in nature and violate the natural rights of those people.

That copy is theirs, no matter where it may have come from.

you are forcing them to make changes to their property to remove information, in other words you are appropriating their property to give yourself a pseudo property right

As i said i can accept that in order that creators can have the opportunity to profit from their work

but i guess i feel you can’t own idea’s, only your copies of them.

Sorry if i am not very good expressing my thoughs lol.

Adam

Ibutton77 said 5613 days ago :

I would say Adam is agreeing with my view here quite eloquently.

I feel it is important to erase the distinction between data you possess externally, in books, hard drives, DVD’s etc and data which you have learned internally.

You should have the same right to “know” something by archival reference as you have to “know” a thing in your mind. Thus also, you should have the same right to express information you know archivally (share it) as you do to express opinions (speak them.. or perform them, etc).

Once you “know” a thing, or by extension from above have an archived copy of it, it really becomes a part of you.

Thus when Crosbie demands that illicitly appropriated intellectual works should be treated as “property” such that it must somehow be reclaimed, it strikes me as as unnatural as “reclaiming” a loaf of bread from a thief who has already eaten it. Or furthermore, tracking down unsuspecting third parties who have taken a piece and eaten those pieces too.

The thief should be punished. Should be punished with sufficient severity to deter this sort of pattern from ever becoming profitable (upholding the maxim “Crime Doesn’t Pay” ;D) Everyone who collaborated in the theft should be punished as well. Every permutation of how an author could be victimized via privacy violation should be brainstormed to preemptively address this problem.

None of that however requires that Intellectual Work be evaluated as a form of property any more than Service Work is.

Finally of course, I would prefer there not be a precedent of this wording to exist in law if possible, lest future generations begin to abuse this concept of “property” in ways that reinstate public censorship.

Crosbie Fitch said 5613 days ago :

Adam, you don’t have a natural right to something if that involved violating another’s natural right to obtain. If a burglar sells you a stolen iPod, the fact that it is now in your private possession doesn’t mean you have a natural right to either the device or the intellectual works it contains.

Anyway, obviously one cannot undo the communication of knowledge, even if obtained through violation of privacy, however, the further communication of identifiable intellectual works that have been illegitimately obtained can at least be deprecated. That doesn’t mean censorship, but it could mean a cease and desist notice may be warranted against those making them available.

This is the consequence of a natural rights approach to the possession and exchange/communication of intellectual work.

I appreciate there’s a school of thought that holds that intellectual work is fundamentally too slippery to apprehend to be treated as property. That’s what I term IP nihilism. There may well be far more support for that philosophy than IP naturalism. However, at least you now have some contrast with my proposition that intellectual work can be treated as property (without monopoly).

Adam said 5613 days ago :

True, and i appreciate the work you do here. we definately agree on more than we disagree :).

Adam

Steve R. said 5612 days ago :

Great post. I like the breakdown. So today I found out that I am a budding nihilist! (I don’t have a problem with copyright if it is short-term and limited in scope. But as it gets “stronger” I am becoming more radicalized in the other direction.)

Crosbie Fitch said 5611 days ago :

Steve, how could you not have a problem with copyright??

I find a monopoly’s suspension of one’s liberty abhorrent for even a day, let alone a decade.

I find it strange that those who have such a problem with the right against theft have no fundamental problem with the privilege of a monopoly.

I think it must be because people have grown up with copyright and patent. Better the devils you know, etc.

Steve R. said 5611 days ago :

The simple answer, compromise. But, as you are also aware, compromise is pointless since those who advocate for a “strong” copyright keep demanding ever greater “protection” and view the public concerns for reasonable use with ever greater contempt.

Also, as you correctly point out – we have grown up with copyright. After all, we can’t question the integrity of our founding fathers. :) :) Why that would be heresy! Consequently, there is an automatic acceptance.

But, since the “strong” copyright crowd increasingly views my rights as being non-existent, my reaction is to move towards the Nihilist position. After all – why should I be constrained by an entity that has no respect for my rights?

IP Nihilism Ad Coelum et Ad Inferos · Wednesday September 09, 2009 by Crosbie Fitch

I’m amused to confront the warped mind of the IP Nihilist, and yet bemused that it’s so difficult deprogramming them from some of the belief systems they’ve become indoctrinated with (more severely than IP monopolists are in believing copyright to be a natural right).

They have this strange notion that because intellectual works may be infinitely reproduced (well, at least until you run out of atoms in the universe with which to digitally represent them), that they may as well be treated as infinite resources, and therefore disqualified from constituting property – after all, they explain, it would be immoral to enable people to enclose infinite resources.

So as a hypothetical example, let’s say I take a few days to write some software for a client who has invited me to tender. I demonstrate my software, but tell the client they can’t have my intellectual property until they pay me good money for it.

According to the IP nihilist, because my software can be infinitely reproduced it is immoral for me to enclose it as my property, and that therefore the law should turn a blind eye should a burglar steal a copy of my software and deliver it to what would have been my client. Or at least, the burglar is guilty of no more than trespass, as no IP should be recognised to have been stolen.

The IP nihilist has mistaken a state granted monopoly’s constraint on the public’s liberty to make copies, as the copyright holder’s ownership of all copies of a particular intellectual work.

Therefore, they incorrectly deduce, if copyright is wrong, the concept of IP and owning intellectual work is wrong.

No, let’s not be so silly, people still own the books on their shelves, they’ve simply had their liberty to make copies of them suspended. It’s the state granted monopoly that’s wrong, not the recognition of intellectual works as property.

Simply because people should be free to make and sell copies of their own property, that doesn’t mean there’s no such thing as property. And simply because published works can notionally be copied without limit, that doesn’t mean the public has a justification to seize all intellectual works (including each other’s private intellectual property), nor to discount their theft as a non-event.

It is the intellectual work that takes the effort and that is the property of its creator or purchaser. Simply because copies could be made at negligible cost doesn’t mean the work may be seized from someone without their consent, nor that it should remain unsecured by the law.

So yes, the public should be free to reproduce the works in its possession ad coelum or even ad infinitum, but that doesn’t extend in the other direction ad inferos such that the public should be free to take copies of private works, private intellectual property.

If you want to copy something, at least buy the original, don’t steal it. You should be free to make copies of the software you obtain legitimately, but that doesn’t mean the law should turn a blind eye if you steal copies from someone. Free as in speech, not as in beer.

Abolish the unnatural intellectual monopoly (restoring our liberty), and then we’re left with perfectly natural intellectual property. Our liberty is the freedom to make copies, not to steal them. And simply because you can set your PC to produce a billion copies of an MP3 file on your multi-terabyte hard drive that doesn’t mean you get to steal a copy of that MP3 file from your neighbour’s recording studio – on the confused pretext they’re immorally enclosing an infinite resource (or even the facile “It’s ok because they still have a copy”). It is the reproducibility that is infinite, not the resource (the intellectual work).

Ibutton77 said 5615 days ago :

Card carrying IP Nihilist here, hi. :)

I like to consider Crosbie my ally. Our beliefs regarding digital information and economics, while stemming from different foundations, appear to lead to identical practical results save in the unusual circumstance of a bad actor willfully absconding data from a private hoard.

Feel free to correct me if I’m off the mark of course, but Crosbie agrees with me that once data is voluntarily shared with a larger audience, regardless of what compensation was involved, that that data now lay at the mercy of it’s new possessors as to whether it will be rebroadcast potentially to the whole world.

Crosbie’s concern against IP nihilists such as myself lay primarily with the case of where one or more individuals wish to keep data secret. In this case, if a bad actor (I often cast a fictional “data ninja” into this role :3 ) eavesdrops on this data, that is where my view and Crosbie’s view begin to diverge.

We agree that Data Ninja should be prosecuted. Aggressively. Though we disagree on the charges or how the sentencing should be calculated.

I maintain that we should hold significantly greater sovereignty for a person’s privacy and data security than our culture or laws presently allow. I argue that hard earned data is vitally important, only that it cannot easily be quantified and assessed as though it were physical, measurable property.

Crosbie asserts that intellectual works should continue to be quantified as property (somehow), perhaps assessed in a similar way to oil paintings, and that eavesdropping where intellectual works are involved should be prosecuted as a literal form of theft.

Physical property can be quantified (measured, weighed, examined for material content, etc) and rectified (Maltese falcon missing? Find Maltese falcon! Found? Return to proper owner! It only has one possible physical location.)

I know of no way IP could be, however. This novel is your life’s work? and it’s unpublished, and virtually incomparable to any previously published work? What is it worth? Well, you’ve spent 20 hours a week on average over 30 years writing the thing. Do we assess it based on hourly wages? Well, you have published a dozen novels in the past, and none of them have sold a dime. Does that make this work valueless also? Data Ninja stole the hard drive in this case, leaving no copy to assess, so I can’t even read it just to tell you what I’d pay for a copy.

And of course, how could I read it without compensating the author first? Once read, I would be at liberty to redistribute the thing, so I’m sure the author would expect compensation prior to.. er.. assessment. :/

The second step of this scenario is the part where our views begin to starkly diverge.

Crosbie feels, so long as data is voluntarily made available, then whoever possesses it may redistribute the work freely.

While a step in the right direction, I believe that a person should have the recognized right to share absolutely any data in their possession. Regardless of who authored the data. Regardless of how that author hopes to recoup their costs for having initially assembled the data. Regardless of how the data got into the possessors hands.

I contend that our forbearers invented the concept of “property” in order to properly address the fact that physical property, goods and land, can be difficult to distribute and share. A hairbrush cannot benefit the entire community as efficiently as it can benefit an individual, and so long as there are a greater demand for personally owned hairbrushes than there is a supply, people will compete to obtain them. This competition provides economic incentive for those skilled at hairbrush making to increase the supply. Since each hairbrush can only have one owner and can only have one physical manifestation, this system does an admirable job of obtaining the greatest good for the individual as well as for the group from a resource which is limited and difficult to manufacture or reproduce.

However, I do not believe that makes this system, nor the concept of “property” that it engenders, the right fit for virtually any other arrangement. For example it is non-ideal for people to be treated as property. Societies which have tried have failed in the face of those who know of better ways to express “human capitol”. I say it is even contentious to treat animals (livestock, pets, wildlife) as “property”. I say it is wiser to treat deed of guardianship over the animals as property. Such abstract deeds, like physical goods, being irreproducible and limited in supply.

Ideas however — words and sounds and sights, literature and music and cinema — do not benefit at all from being traded in any form similar to physical property, nor can they be deeded.

Whatever meme can be digitized, unlike the hairbrush, can be easily shared. Every member of a society — indeed any member of any society capable of consuming the meme — can benefit from it simultaneously. The supply is (indistinguishable from) infinite, as consumers are counter-intuitively more well suited to reproducing the meme than the originators are. Thus the process of distribution benefits from exothermic participation, and the more popular it is the greater distribution it can have for free.

This sounds much like Crosbie’s accidental strawman in TFA, however I do not claim that hoarding knowledge is immoral. Whatever knowledge a person releases can potentially benefit the globe, but I believe that not only should there be no obligation for them to do so, instead our culture and our laws should strongly resolve to protect the sovereignty of a person’s privacy.

The flipside of the coin “any person should be able to share any data in their possession that they chose” is that “any person should have no obligation to share any information in their possession they do not choose, with very few and specific court ordered exceptions”. Such privacy protection should be directly encouraged by a healthy government. Educating the public on encryption and computer security is potentially as valuable as educating them about drunk driving and safe sex.

Furthermore, the value and the expression of memes are fluid. As water compared to a stone, as air compared to water, is a meme compared to air.

Any part of a meme can have value. From the plot of a movie, to the popularity of a character, to a series of witty quotes, to a particularly poignant wide-angle camera shot that the director and cameraman never foresaw the impact of.

The truth of all art is that beauty and value are in the eye of the beholder. While oft times good art is produced by good artists trying to express a particular idea or emotion to their audience, just as often a work of art is appreciated for reasons entirely unrelated to why it was formed in the first place. Like crystals of ice in the snow catching light from the right angle as your eye moves through the scene, the value of art depends heavily upon what common chords it strikes within viewers.

Thus, we IP nihilists contend that authors are below-average custodians for the memes they have spawned. This due in no disrespect to the artists, but instead because the value is ultimately assessed by the audience, and can thus be best amplified and replicated by the same audience.

So, it benefits society to distribute memes at a rate limited only by the most enthusiastic rebroadcasters with access to the material. Not only that, but for the greatest societal benefit, we should be allowed to remix memes however we please, and these in turn will see redistribution proportional to their popularity. Thus, a majority of production of content can borrow from existing content, dropping the onerous intellectual cost required to make new art until the question of compensation stops being such a terror to producers, and micropayment compensation and pro bono surge in popularity.

Crosbie’s concern about categorizing memes into neat packages of IP threatens this natural economy of memetic propogation very directly.

Crosbie and I have discussed the matter of Data Ninja at some length, and he has suggested that the data pilfered by DN, should it be released into the wild, ought to be treated in precisely the same manner as copyrighted data is today. It should become illegal to share, persons trafficking the data should be issued the equivalent of DMCA notices to censor their sharing, and any material derived from the leaked data should be destroyed or remanded into the “custody” of the original, violated author. Again, please correct me if I am missing your meaning Cros, but I have plumbed you pretty heavily on this point just to be sure.

I have also made it clear in my discussions with Crosbie in the past that this assertion from TFA is flawed:

> Therefore, they incorrectly
> deduce, if copyright is
> wrong, the concept of IP
> and owning intellectual
> work is wrong.

I have said on several occasions that, at least speaking for myself, I do not disown the concept of IP due to monopolistic concerns regarding copyright. Instead, I disown IP due to the toxic effect of literally any censorship beyond a person exercising their own right to privacy, thus disowning copyright, and thus seeing the fall of it’s monopolistic tendencies as a quaint side benefit.

The fact is that I oppose censorship. I would also oppose monopoly, but my first duty is against censorship. That this happens to overthrow monopoly is agreeable, but tertiary. Once we’ve got censorship licked, then I can start worrying about monopoly, oligopoly and cartels. I think they will be easier to fight once the public is properly armed with the free flow of ideas.

Crosbie is unfortunately advocating that which I would classify as sacrificing the free flow of information. I contend that invading global informational transactions in order to reclaim “copyrighted property” is harmful for reasons entirely aside from monopolistic advantage. I contend this is not only a form of censorship, but one of the worst forms. Crosbie championing these methods to reclaim (reclaim?) involuntarily leaked data makes this harm and this censorship no less real and no less harmful. Perhaps less frequent, but with no counterbalancing benefit less of a wrong is still wrong.

I say that censorship to eradicate ideas from the public consciousness is heinous. I see no distinction between a government forcing public retcon to cover up it’s malfeasance, the entertainment cartel forcing public retcon to make it’s digital goods artificially scarce, or a violated author forcing public retcon to.. uh.. er.. what was the goal here, again? Deterrence, or something? To prevent people from selling items at a profit when there is no market for copies? I always get lost at this point.

Crosbie does not arrive at his conclusions due strictly to his distaste for monopoly or backtracking from the present system to work around what he sees as distasteful any more than he accuses us nihilists of doing. Instead, he starts from a set of axia (he has identified these to me so far as “the natural laws”, which I think sound fascinating but have not yet found enumerated anywhere), and he grows a tree of proposed policy from these roots. I do the same, though I am probably starting from different axia.

As a result, Crosbie appears to appreciate whatever limbs from my tree coincide with his. He seems to ignore whatever limbs of my tree do not, unless/until they conflict with his. Then, as we should in order to reach more perfect accord, we argue the matter. He does not yet seem to appreciate that my tree is grown using the same method his is, or concern himself too heavily with how I’ve arrived at whatever conclusions I have. I fear that in his eyes, at any given moment, I am either agreeing with him or speaking nonsense. If this is true, it is only a symptom of the fact that whatever branches in my tree coincide with his did not get there from the same growth pattern. Nor should that be required. Truth is truth, even if you learn it via divergent channels of evidence. Thus, when and where our trees diverge, it is not because I transitioned from following your precise chain of logic into some local error in judgement. It is because I am carefully following a pattern dictated from a source far away from the point where we have diverged. Given our goals are the same (via empirical understanding of human kind and it’s environment, design policy to bring the greatest benefit to individuals and to societies), our complete trees should grow to be congruent if we do this right. Just like mathematicians using different approaches to solve the same equation, they should arrive at the same conclusions. Whatever truths each hold as self-evident are still (ideally) truths, and thus each individual’s chosen axia should be proven via the other. Done properly, your roots would coincide with what I would see as branches, and vice versa, but the trees would resolve to the same completed shape.

Because they instead diverge, someone has forgotten to carry a 2 somewhere, and it is not necessarily anywhere near the point where the divergence really happens. I am sorry to have to maintain my belief that it is your proposed policies and logic (or possibly your axia) which are in error leading to these diverging opinions.

I am not yet certain if it has to do with confusing work with value (I contend that responsibility is the best index of value; a debate I would not mind having with Thomas Paine himself :3) or with overweighing the needs of a lone producer compared to the more likely use case of a swarm of producer/consumers.

One day we’ll get to the bottom of our schism and work it out to at least enough of an agreement to lead to mutually beneficial collaboration. We’re so close already. Presently, I’ve simply been short the free time to craft responses suited to the material in your most recent missive to me, so I took a swing at this one instead. ;3

Best wishes Crosbie, and good luck with 1p2u!

- – Jesse

Crosbie Fitch said 5615 days ago :

Jesse, thanks for a great and very interesting comment. I can at least quickly observe that I have no need to characterise those who hold a different view to mine as necessarily speaking nonsense, but that doesn’t mean that some arguments aren’t nonsense.

Some people argue against IP on some very peculiar and supernatural notions/strawmen – hence my observation of ‘warped minds’.

I suspect we both agree on the fundamentals, but you’ve come to a different conclusion as to whether IP should remain recognised, and to what extent a government should attempt the remedy of its theft.

So, I apologise if I’ve implied that all IP nihilists have warped minds. The aspersion was a bit tongue-in-cheek anyway… ;-)

Ibutton77 said 5613 days ago :

w00t. :3

Oh, and yeah: Comment system apparently works! ;D

Data Abuse Laws Abuse Liberty · Saturday September 05, 2009 by Crosbie Fitch

“Laws should be tightened to give judges the option to jail people found guilty of serious abuses of personal data”, the UK’s Information Commissioner has said.

How can an individual possibly abuse data? Even if the data represents collection of personally sensitive details?

Data is inert and immutable, it is not a living being, nor is it part of one.

You may feel that the fact you have a particular disease or political viewpoint is a little piece of you that is wandering the digital cosmos, but that’s superstition. The facts you reveal about yourself, that you confide to others, are your speech, not your person, and they leave your body, loosed from your control the moment they leave your mouth. You remain unable to bind others to secrecy, to gag them, with your confidence. You can only trust them to remain discreet. If you don’t want anyone else to disclose your secrets, don’t reveal them to anyone else. You can’t reveal them and yet claim the supernatural power to constrain their further dissemination. Of course, with a corrupt government, you may well beg and be granted the privilege of doing so.

Individuals have never naturally had the power to prevent others’ indiscretion, so simply because with more information people can be more indiscreet, why does this principle fly out of the window? If anything, the fact that despite their lip service, government and military agencies find it very easy to play fast and loose with the data in their care should reduce the temptation to criminalise the negligent or indiscreet individual, not increase it.

Why is the ‘Information Commissioner’ singling out individuals for incarceration as punishment for their indiscretion (their natural liberty and right to communicate the knowledge they have been made privy to), instead of the membership organisation that had been entrusted with the care of the information leaked by one of its ex-employees? Regulate the organisation to discretion by all means, but don’t penalise and incarcerate individuals for breaching the trust of their employer.

From a natural rights perspective, the principle should be that individuals are to be entrusted with the care of sensitive information, whereas corporations are to be distrusted. This means that individuals are not to be prosecuted for failing that trust (they are subject to reputational consequences), whereas corporations may be regulated to adhere to a duty of care and consequently may be appropriately penalised for negligent or vicarious disclosure.

This is the information age, the age of instantaneous diffusion. Anachronistic privileges such as copyright that pretend the power to constrain dissemination are revealing their ineffectiveness in front of us, and yet instead of confronting the reality they’re failing to hide, the authorities are still attempting to reinforce them with ever harsher penalties against the individual, and in the case of ‘personal’ information, creating new ‘non disclosure’ laws to punish them.

The fact that people must communicate to live has been recognised for millennia and is why we have this principle of freedom of speech. See Fire in a Crowded Theater for its only ethical limitations.

The only reason secrets do not travel is because the people entrusted with them are inclined to be discreet, not because those who’ve confided them have any natural right to gag those they tell them to.

Can anyone expect justice from Judge John Stobart who said “while there may be some members in this organisation who do not deserve to be protected by the law, they should be able to expect that officers within the organisation will not abuse the information provided to them.

A judge who believes some individuals do not deserve protection by the law? That is breathtaking – an abuse of justice far worse than the abuse of information he purports. Abandon all human rights ye who enter his courtroom.

One may well hope that any sensitive information provided to a membership organisation would be kept confidential, and one may well wish to be able to sue that organisation for negligence if through incompetence they fail, but that doesn’t extend to suspending the liberty of its (ex)employees, whether fining or incarcerating them. They have the potential opprobrium or approbation of the public and their peers to look forward to.

 

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